Showing posts with label Cuneiform Records. Show all posts
Showing posts with label Cuneiform Records. Show all posts

Friday, 12 September 2025

Posted by Gerry Hectic | File under :

Thanks to Cuneiform Records you now have a great opportunity for one weekend ONLY to buy this brilliant album from for only $5.

This sale ends 11:59pm UTC on September 14, 2025 and the coupon code is "FIVE" after typing in '10' into the name your price field.


And here's an review I did for flyglobalmusic sometime ago at the original re-issue.

You may recall, when Graham was at Ray’s Jazz, he was promoting the release of this CD recorded live at the Bracknell Jazz Festival in 1983.

Collier is the composer and he directs this specially invited 19 piece band that includes Geoff Warren (who played the sax and flute on the UK jazz-funk classic ‘Southern Freeez’ a couple of years earlier), John Surman, Kenny Wheeler and Tomasz Stanko for this one-off occassion.

The ‘Hoarded Dreams’ come in seven parts, conveniently entitled Part 1 to 7. It starts like a manic mass horned ‘Flight Of The Bumble Bee’ which knocks the stuffing out of the audience. Thankfully, mid-way through Part 2, the audience has caught up and you can feel their joy throughout an incredibly powerful 14 and a half minutes.

Little wonder that by Part 3, they all need to catch their collective breath and the guitar of Ed Speight (one for fans of Mr. Lamdin) and Juhani Aaltonen (sax) gets all late night downtempo before Collier lets off the reins and they’re at the races again. As an aside, I also see Aaltonen was on last years’ big 12”, the Didier’s 06 Edit of ‘Ufology’ by the Finnish Big Band Jazz.

And then can you imagine what a trio of trombones can do? Malcolm Griffiths, Eje Thelin and Conny Bauer get their chance to lead a big band on a ‘free’ Ellington style number. A hoarded dream of Mr. Collier?

Part 5 is another long one and starts minimal with Tomasz Stańko getting all-experimental on a solo (with Ashley Brown getting busy on the drums). Very UnSafe as Roger Dean breaks down on the piano with Conny Bauer doing an ‘Alan Tomlinson’ of sorts. Not to be outdone, Wheeler, Surman, and Stanko join Bauer on a blow out at the end which sounds an unholy mess compared to, say, ‘Southern Freeez’.

‘Part 6’ is like a sax-lead version of ‘Part 5’ with Themen taking on all comers including John Schröder on guitar. Makes you wonder what Mr. Lamdin could do with a remix project if he wasn’t so busy releasing his own albums?

Talking of which, If you thought the Nostalgia 77 Octet’s live CD recorded live at the Jazz Café, Seven’s & Eight’s (which included a version of Collier’s ‘Down Another Road’) was good, Hoarded Dreams is even better.

As “jazz happens in real time, ONCE!”, it’s a good job someone recorded this and nearly 25 years on, a wider audience of jazz fans have finally “caught up” with the folks at Bracknell that day and the collective Hoarded Dreams of Graham Collier.

Reviewed: Graham Collier — Hoarded Dreams recorded live at the Bracknell Jazz Festival in 1983 (Cuneiform Records) Cat. No. Rune 252 Released: 07 Mar 2007
Credits: Guitar [Electric] — Ed Speight , John Schröder Producer, Composed By — Graham Collier Saxophone [Alto}, Flute [Alto] — Geoff Warren Saxophone [Tenor, Alto] — Juhanni Aaltonen Trombone — Conny Bauer , Eje Thelin , Malcolm Griffths Trumpet, Flugelhorn — Tomasz Stanko , Kenny Wheeler , Henry Lowther , Manfred Schoof , Ted Curson Tuba — Dave Powell Bass — Paul Bridge Piano — Roger Dean Drums, Percussion — Ashley Brown Saxophone [Tenor, Alto] — Matthias Schubert , Art Themen Saxophone [Baritone], Clarinet [Bass] — John Surman

Tracklisting:
1 Part 1 (2:53)
2 Part 2 (14:30)
3 Part 3 (11:21)
4 Part 4 (10:30)
5 Part 5 (14:35)
6 Part 6 (13:54)
7 Part 7 (2:30)

Links:
www.jazzcontinuum.com the web site of Graham Collier
www.myspace.com/raysjazz
www.foyles.co.uk

Monday, 25 August 2025

Posted by Gerry Hectic | File under : , , , ,

You'll recall Led Bib were one of the leaders of "anarchic jazz" revolution back in the day and now they are an 'Award-winning UK Jazz Group' but what are they like when the book into 'Hotel Pupik' with their new album?



I think it's fair to say that when Led Bib burst onto London's jazz circuit 20 years ago, folks didn't know what to make of them.  "Sun Ra didn't die in vain" [sic] said The Times.  The Observer's Music Monthly, "We need bands like Led Bib to make the world safe for dangerous music".  Well, they were still dangerous when they made their debut album on the US label Cuneiform back in 2009 with the undangerous title, 'Sensible Shoes'.  This is their 5th album on the label, a forward looking jazz label if there ever was one that was founded by Steve Feigenbaum over 40 years ago.

Led Bib's current line-up is Pete Grogan (saxophones), Chris Williams (saxophones, effects), Liran Donin (bass, effects) and leader Mark Holub (drums) and you'll note, the first time in their 22 year/10 album history, there's no keyboard player.  Any group/band that's 20% down is going to feel a difference, so what difference will this singular double horn attack make?

Well, on the opener, 'Iron Ore' its not a lot as it's raw energy harks back to when they were quoting thier diverse range of influences as Metallica, Delia Derbyshire, Northern Soul, NY improv and John Surman (Surman himself also being on Cuneiform).   Back to 'Iron Ore', by coincidence, Jazz Sabbath (the keyboard led, Black Sabbath 'tribute' trio) have had lots of coverage lately for obvious reasons, but 'Iron Ore' is full of the heavy metal influence so it is good to see that they are still able to rock.

I say that because the other six track on the album are somewhat different in that there's elements of 'rock' - particularly in the drums and bass - whilst at the other extreme, it's very ECM ambient and 'natural'; no more so than in 'Dawn Chorus'.  And most of the tracks include this apparent dichotomy.  But is it really?  Not on gentle 'Transient Weaving' and manic army marching plodding blues of 'Pure O':  'O' for Ozzy perhaps?

This mix is great and I envisage one of those old Quadraphonic LP sleeve notes where it gives you the best position to sit in the room to hear the album correctly with each performer having a speaker to themselves: Pete and Chris front right and left, Liran and Mark back row left and right.

So I can almost hear you saying, where's the 'free' jazz and if it's squarky sax and army marching heritage, why no mention of Albert Ayler?  We'll Ayler was more known for palying with his brother Donald (on trumpet) and whilst it sounds 'free', as it sounds so good as a group, I don't think this could be 'free' in the original sense of the 60s trippy period althought it definitley sounds more Ayler without the keyboards in the group. 

And what could be better than two 'Alberts' or an Ayler/Surman sax attack at the same time?  Nothing!  Especially when it comes to the opus that is the 12 minutes of title track. Collectively and individually Led Bib shine on this track, and indeed, throughout the album such that by the time time you get to the end of the last track, the mournful 'Till Next Time', you'll want to play it again and again; and even go back to 'Sensible Shoes' where tracks like 'Early Morning' can be seen as a precursor to 'Hotel Pupik'. 

Not as jazz-fusion as Lampen's 'Halogen' (see review HERE) and not as rock as Ivdf (see review HERE soon) but either would be great support acts to a Led Bib live gig; and talking of which, I can only imagine how powerful 'Hotel Pupik' as an album will sound live so if you're lucky enough to catch them on the forthcoming UK tour, don't hesitate and book tickets now!

Tour dates - UK.

 
Artist: Led Bib 
Title: Hotel Pupik 
Release date: 29th August, 2025
Label :  Cuneiform Records
Catalog Number : Cuneiform Rune 541 
Format:  Vinyl LP / CD / Digital / Bandcamp