Thursday, 6 August 2026
Wednesday, 5 August 2026
Doesn't seem 4 years ago that Leftfoot, that highspot of Brummie musical eclecticism, were after a new resident DJ. Never slow to get his leftfeet in the door, Gerry Hectic submitted his 'Lovely Wife' mixtape is an effort to get himself and his lovely wife back to the place of his birth.
Pama International ft. Rico - Nasty Dub 00:00
Mali-I ft. Ms Ray - Heaven Sent (Gerry Hectic's Lovers Extension) 03:37
Pinky Perzelle ft. Eda Eren - No Games (Radio Edit) 10:04
Sababa 5 ft. Shiran Tzfira - Ya Hizali - يا هزلي 14:17
Crazy P ft. Dele Sosimi - The Witness (Medlar Remix) 18:21
Isaac Birituro & The Rail Abandon - Fún Tony (feat. Dele Sosimi) 23:30
Dr. Robert Blackman - San Francisco Dance (Emanative Remix - Hectic Ext) 28:48
Milton Wright - Brothers & Sisters (Mr. PC 12" Edit) 38:14
Sumsuch & Will Brock - Humanity (Paul Losev Remix and Dub - Hectic Jnt) 43:11
Hermanos Gutiérrez - Esperanza 52:08
Soothsayers Meets Victor Rice and Friends - Last Days [Hectic IDI Edit] 55:16
https://twitter.com/GerryHectic
Tuesday, 4 August 2026
Here's your invite to a secret garden party, or is it 'A Garden Between Us'; envisaged by the jazztronic funk minds of milan93 & 9ICK & Mauricesax, this is where you don't put ya feet up!
As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It’s a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz’s unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.
As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album ‘SMIL’; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.
‘A Garden between Us’ represents the trio’s core tenets, with this immediately obvious from the record's opener, ‘Rhodora’. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. ‘Tulip’ emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. ‘Honeysuckle’ lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes ‘Camellia’. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.
The B side features two exquisite remixes, with Pacific Coliseum's version of ‘Tulips’ landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.
An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for ‘A Garden between Us’ and how it will brighten up life itself.
Monday, 3 August 2026
Roy Inc. teams up with Darren Morris and this time, the "song is an anthem for inner strength, endurance and self-awareness, and having faith in love, a love that comes with respect, trust and true honesty from that one person!! A mantra to all the haters and abusers - 'You'll Never See My Tears'...
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Darren Morris: all other instruments
Cat. No: RRR103Format: Digital / Bandcamp
Friday, 31 July 2026
Can you imagine Jeb Loy Nichols a la Twelve Caesars? Watch those clouds as the 'Kingdom Of Rain' is about to fall with Lee Ross!
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Wednesday, 29 July 2026
NY Post-punk Funk with percussion madness! And flute gang friendly Can you believe it's been 20 years since Louie Vega Presents Luisito Quintero – Percussion Maddness on Rapster/BBE? Jitwam on it - put a note in ya Jazz Diary.
The power of funk bridges Mexico City and New York as CDMX singer, songwriter, and producer Pahua joins forces with Brooklyn DJ, producer, and MC, Willy Soul to deliver a fresh take on dance music inspired by two cities built on hustle, creativity, and soul. Led by the duo and featuring a cast of legendary musicians, NY/CDMX blends their distinct musical identities and hometown influences into a vibrant cross-cultural statement. The EP marks the 23rd release on TheJazzDiaries record label.
The project is introduced through two original singles, with alternate versions, remixes, and interludes to be announced shortly after:
Tenemos El Funk (Out July 9) — A mid-tempo, upbeat drum-machine funk track fueled by lively Latin percussion, punk-funk basslines, and Pahua’s signature blend of singing and rap, balancing attitude with effortless flow.
Nueva York (Out July 31) — A soulful house groove shaped by the Latin diaspora, featuring Spanglish lyrics from Pahua, spoken word from Willy Soul, infectious percussion, driving basslines, and four-on-the-floor energy. The song serves as the emotional and lyrical centerpiece of the EP, drawing parallels between the relentless rhythms of NYC and CDMX.
Pahua brings her unmistakable modern Mexican perspective through layered harmonies, vivid storytelling, and a dynamic vocal presence. Willy Soul shapes the sonic direction as the EP’s producer, merging New York's underground dance-floor sensibility with Pahua’s electro-tropical roots. Anchored by Roland TR-808 and TR-707 drum machines and bass-driven arrangements reminiscent of Talking Heads, LCD Soundsystem, and Red Hot Chili Peppers, the production strikes a balance between funk, dance music, and live-band energy.
The EP reflects the shared experiences of two artists navigating independent music careers and life in 2026. While Willy has spent years building community and culture through New York's nightlife scene, Pahua has established herself both as the frontwoman of acclaimed Mexican group Sotomayor and through a thriving solo career. Having collaborated in studios and on stages across both cities, the pair channel their personal connection into a body of work that celebrates the creative exchange between New York and Mexico City.
To deepen the musical palette, Pahua and Willy invited a collection of friends and award winning icons to contribute. Through an introduction from Louie Vega, multi-Grammy Award-winning percussionist Luisito Quintero joined both singles, bringing his unmistakable rhythmic touch via timbales, congas, bongos and a range of hand instruments. His extensive list of collaborators includes Tito Puente, Carlos Santana, Willie Colón, Herbie Hancock, Chick Corea, and Masters at Work, among many others.
NYC heavyweight producer and keys player Morgan Wiley—former frontman of Midnight Magic, collaborator of LCD Soundsystem, and co-producer of key releases by indie soul queen, Adi Oasis —adds Wurlitzer to Nueva York while also handling mixing and engineering duties across both tracks. Latin Grammy Award-winning producer Ze Nigro, known for his work with João Donato, reimagines Willy Soul’s original bassline composition on Nueva York, infusing it with rich Brazilian and Latin influences. Latin Grammy Award-winning flautist Domenica, known for her work with Flor de Toloache and NYC afro-disco-rock outfit Underground System, also lends her distinctive touch to Tenemos El Funk. The EP was mastered by Brooklyn studio veteran Abe Seiferth, founder of Transmitter Park Studios and former DFA engineer, whose credits include work with Yeasayer, Nation of Language, Sinkane, Guerilla Toss, and a wide range of acclaimed independent artists.
NY/CDMX will be released via TheJazzDiaries, the label founded by Jitwam in 2013 and known for blending jazz, world music, funk, and underground dance sounds from New York, Detroit, and beyond. Highlights from the catalog include Jitwam’s debut release, later featured on Moodymann’s DJ-Kicks compilation, as well as the recent single PEOPLE by Natasha Diggs and Megatronic.
Remixes, extended versions, and dub mixes will be announced soon ahead of a forthcoming vinyl release.
BUY LINK / PRE-ORDER: https://jazzdiaries.lnk.to/TenemosElFunk
Tuesday, 28 July 2026
Talk about packet of 3 - Star Creatures collab with the Twilite Tone makes us happy, jacks and brings love - and that's only the half of this bundle of joy!
Monday, 27 July 2026
Any connection between incidious mission creep of Ramrock Red Records reaching the 100 release milestone is entirely coincidental as Twelve Caesars' return with their new single.
And Homer said, “But there is a story, Mr. Sheehan. IT DOESN'T WORK. That’s your story.” And that is the defining one."
Friday, 24 July 2026
You can't say we didn't tell you that 'superhero' Tryangle Man has booked out of 'Hotel Defou' and he's got his album with him, all 11 tracks and it's out now!
If you recall, "We all live in Brookyn Baby" and the message from Jon E's Easy Street is that Roy Ayers/Lonnie Liston Smith jazz-funk is very much a message for today!
'Messages From Easy Street, Part I' is the first of a two-part series of EPs that displays "the fruits of a deeply creative phase following an injury that had him bed bound for months. The sonic progression from his debut is tangible across all four tracks, with an enhanced palette and clear versatility. The EP is a deeper expression of his production skills and unique, authentic sound. Natural sounds of the city make for an organic touch throughout, giving tracks an atmosphere that makes them feel alive".
Picking up street sounds, 'One More Time’ sets the 'jazzy' tone with images of water fire hydrants going off (in Brooklyn) and summer street parties. Anded to that ‘We Can Make It’ (featuring Roxanne Myles on vocals) takes 'One More Time' up a level into the house.





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