Tuesday, 28 July 2026
Talk about packet of 3 - Star Creatures collab with the Twilite Tone makes us happy, jacks and brings love - and that's only the half of this bundle of joy!
Monday, 27 July 2026
Any connection between incidious mission creep of Ramrock Red Records reaching the 100 release milestone is entirely coincidental as Twelve Caesars' return with their new single.
And Homer said, “But there is a story, Mr. Sheehan. IT DOESN'T WORK. That’s your story.” And that is the defining one."
Friday, 24 July 2026
You can't say we didn't tell you that 'superhero' Tryangle Man has booked out of 'Hotel Defou' and he's got his album with him, all 11 tracks and it's out now!
If you recall, "We all live in Brookyn Baby" and the message from Jon E's Easy Street is that Roy Ayers/Lonnie Liston Smith jazz-funk is very much a message for today!
'Messages From Easy Street, Part I' is the first of a two-part series of EPs that displays "the fruits of a deeply creative phase following an injury that had him bed bound for months. The sonic progression from his debut is tangible across all four tracks, with an enhanced palette and clear versatility. The EP is a deeper expression of his production skills and unique, authentic sound. Natural sounds of the city make for an organic touch throughout, giving tracks an atmosphere that makes them feel alive".
Picking up street sounds, 'One More Time’ sets the 'jazzy' tone with images of water fire hydrants going off (in Brooklyn) and summer street parties. Anded to that ‘We Can Make It’ (featuring Roxanne Myles on vocals) takes 'One More Time' up a level into the house.
Thursday, 23 July 2026
DJ Soch tells Wolf Music exactly what they need to know about the olden days of massive house tunes like this new track, 'Let Me Tell You' - a trois, or a tre!
Release date: 24th July, 2025
Label : Wolf Music Recordings
Catalog Number: WOLFEP088
Format: 12" vinyl Pre-Order / Digital
Wednesday, 22 July 2026
Don't be put off by the cover as this 'Curió Curió’ isn't as curious curious as it would appear with Mr Bongo getting deep into modern Brazilian MPB tropicalia!
“I have been living in Europe for nine years”, says Monteiro. “At some point I realised I was no longer the same person I had been in Rio but I was not fully from here either. The album comes from that question: where do I belong?”.
That question is never answered directly. Instead it is carried through images, fragments and gestures. A barefoot figure looking out across Guanabara Bay in ‘Tô Chegando’, a family calling someone back in ‘Vem pra Casa’, a voice learning to trust itself in ‘Menina Passarinho’. The album moves between cities and emotional registers without settling, tracing a sense of identity that shifts rather than resolves.
Braun’s production follows a similar logic. Initial ideas were often built without obvious reference points, only later pulling in rhythmic and vocal elements that hint at Brazil without reproducing it. “We wanted it to feel authentically Brazilian without being cliché, like something you recognise but cannot fully place”, says Braun. Analogue techniques, tape, ribbon microphones and live ensemble recording bring a tactile quality that reflects the duo’s interest in process as much as outcome.
Many of the album’s defining moments come from chance encounters. The choir on ‘Bem Querer’ emerged from a bar conversation that led to a group of non-professional singers gathering in a room to capture a shared energy. “The euphoria of people being together has that authentic samba street vibe”, Braun explains. “That feeling cannot be simulated”.
Elsewhere, the record opens itself to more intimate moments. ‘Vida que Entorna (Interlúdio)’ was recorded in a single take over field recordings from a family birthday in Brazil. “The song is about my father being ill”, Monteiro says. “When we listened back to it we were both very moved. And that was it. It was ready”.
The push and pull between collective expression and personal reflection shapes the listening experience. There is a sense of movement throughout, between dancefloor and interior space, between immediacy and memory. “In the first moment I want people to feel joy”, Monteiro says. “To move, to dance, to feel present. Then later I want them to reflect. To think about where they come from, who they miss, what home means to them”.
That duality extends into the themes of love, work and creative identity. Songs like ‘Amor Doente’ and ‘Mar sem Dar Pé’ circle around relationships that resist clarity, while ‘Menina Passarinho’ captures the fear and necessity of committing to music as a path. For Monteiro, deepening her commitment to music alongside years in theatre was both inevitable and difficult.“For a long time I was afraid to invest in music because it matters so much to me”, she says. “This project was a way of accepting that I need it in my life”.
The album closes with ‘A Cor do Meu Sonho’, a quiet act of insistence. A refusal to shrink in unfamiliar environments, and a belief in the strength of difference. It is less a conclusion than a continuation, leaving the central question open. “I started to understand that I can belong to many places at once”, Monteiro reflects. “And that can be something to embrace”. Lyrics from the song ‘Raiz’ translate in English to “I value a burning sun and the cold in the air. Constant change is my companion”. With Curió Curió, that idea is lived through sound, story and collaboration. A debut that feels both searching and assured, grounded in heritage yet shaped by distance.
BUY LINK / PRE-ORDER: https://bfan.link/curio-curio-1
Could there be anything sadder than a lonely deckchair, on a beach, a discarded member of the a family? Well, trust NuNorthern Soul to pick this one up and make it part of the family group!
Lonely Deckchair first washed up on these shores as one of the 'Summer Selection Six' hits (see review HERE) along with B.J. Smith, Sasha Foam, Roots Artefact, Visions Of Light and Perth Lewis (don't forget his new 'Cherry Moon' EP, see review HERE).
Label : NuNorthern Soul
Catalog Number : NUNSLDLP001V / NUNSLDLP001D
Format: Limited Edition Vinyl / Digital / Bandcamp
Tuesday, 21 July 2026
Bet you had to look twice at MPS and De-Phazz! But it's true, downtempo's lounge kings have gone to the land of the Black Forests to eat the jazz gateaux.
01.05.2026 De-Phazz & George Shearing - “Continental” feat. Malia
22.05.2026 De-Phazz & Ella Fitzgerald – “This Girl’s In Love With You”
12.06.2026 De-Phazz & Oscar Peterson - “Wave”
03.07.2026 De-Phazz & Monty Alexander – “Love & Happiness”
ALBUM RELEASE 24.07.2026
'What You Gonna Say' when Make It Disco says what it exactly is on the tin-can these guys Make It Disco? Yes they can!
Don't forget TDE have just released Ayce & Spirit Of House featuring Lawrence Rowe & Phebe Edwards 'Stronger EP' (see review HERE) but this 5-track EP is stronger in a different way.as East London's Make It Disco makes his debut on the label with "modern disco-funk that's as timeless as it is fresh.. [that draws] inspiration from the golden era of late-70s disco, soul and boogie, the producer and bassist delivers a set of irresistibly catchy originals, packed with infectious melodies, rich live instrumentation and his signature slap bass grooves".
We're talking Chic, Rose Royce, Chaka, Ellerman et all with the tracks showcasing the vocals of Yvonne Park (SAULT, Emeli Sandé) on the title track with rolling rhythms and big strings, 'No Matter' featuring Ebony G is more soul-discog and 'Be My (Only One)' sees Silla take centre stage on a feel-good groove built for repeat listens and packed dancefloors alike.
Of course, The Disco Express founder Bustin' Loose can't resist a remix of 'No Matter' and the set ends on more vintage disco musicianship with modern production finesse as Monsieur Van Pratt Delivers a "Groove-Heavy Remix of” 'Be My (Only One)'.
Make It Disco (MID?) is clearly "one of the scene's most exciting new names" and TDE is the station, goods yards and all disco transportation this guy needs..
Monday, 20 July 2026
You don't get to say, "Armenian jazz-house and broken beat fusionist" that often but Henna Onna is one, if not the leading one when it comes to some jazzy deep house.
And the six track EP 'Maboroshi' goes even futher east with remixes by Kuniyuki ('Shibuya Oiran' as a deep dub version) and Satoshi Fumi ('Enoshima'). Both remixes are great, Satoshi is the most upbeat and synthed out acid-warp bullet train: definitely for dancefloor action, whilst the 'deep dub' emphsizes the Japanophiles elements (Ed. one for Nick Luscombe - see HERE).
Talking of Luscombe, he's one that'd appreciate the "modal synth lines that pull from Eastern tonal reference" of the original mix of 'Shibuya Oiran' (and the spoken word) whilst on the digital release version you get Kuniyuki's original remix (the dub is on the 12" and the digital release) which emphasises the strings and synths. The other digital bonus is the beatless 'Shibuya Oiran'. I love it when far and future sighted labels like Deeppa do this as there's a version for everyone.
The title track is another from the ambient temple jade garden with the waterfalls and bird song that'll calm anyone down as opposed to the upbeat original deep space bongo house version 'Enoshima'.
Not a lot of 'Armenian broken beat' going on here but that's more than OK with the 8 tracks that are!
BUY LINK / PRE-ORDER: https://www.juno.co.uk/products/henna-6onna-maboroshi-ep-feat-kuniyuki-satoshi-fumi-vinyl/1151625-01/
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