Friday, 17 April 2026

The new album by Kiiōtō is definitely "spine-tingling" and unique as who'dthere have thought that there could be a jazz-noir folk Carole King, Khruangbin, Alice Coltrane influenced duo could be so good!



Fans of the single(s) 'Warpaint' and 'Little Axe' (see review HERE) will know what to expect on the 10 track album, 'Black Salt': or do they?

Mercury Music Prize nominated singer/songwriter Lou Rhodes, former lead vocalist and co-founder of Lamb, joined forces with award-winning songwriter and pianist Rohan Heath to form Kiiōtō after both had seemingly stepped away from making music. Kiiōtō’s second album, 'Black Salt', casts the net wide and deep in the stories it tells. Throughout, the arrangements remain spare and bold, leaning into jazz, broken beat and soul textures, with references as diverse as Carole King, Khruangbin and Alice Coltrane.

Written primarily in Kiiōtō’s home studio in North London, Black Salt features guest appearances from a melting pot of musicians, notably guitarist Hawi Gondwe (Amy Winehouse), double-bassist Andy Hamill (4 Hero, Carleen Anderson), drummer Mykey Wilson (Corrine Bailey Rae), and even some impromptu guitar by the one and only David Arnold.

Debut single Butterfly is a dark and brooding critique of a narcissist, its prowling bass, angular chords and bell motif creating a claustrophobic chill. In contrast, Zero Gravity - inspired by Samantha Harvey’s Booker Prize winning novel “Orbital”- zooms out into space, reflecting upon the transformational experience of orbiting Earth, its heartbeat intro giving way to brush drums and stacked vocal refrain. Little Axe tells of the challenges of raising young men amidst the threat of violence in urban life, set to soulful guitar and congas, while White Noise highlights the hold of social media on the modern mind, in staccato rhythm and abstract piano. Lost Map reflects on the results of DNA tests the duo took in search of a deeper understanding of their disparate heritages, against a backdrop of spacious piano and muted trumpet. Closing track Five Eight, conveys the aching loss of Heath’s mother, Rhodes’ vocal stripped bare over shimmering Wurlitzer. Throughout, the arrangements remain spare and bold, leaning into jazz, broken beat and soul textures, with references as diverse as Carole King, Khruangbin and Alice Coltrane. The resulting album is impossible to define by genre, but is fused by the unique interplay of Heath’s melodic sensibilities and Rhodes inimitable voice.

Of the making of the album, Heath says: "The creation of Black Salt wasn’t an easy one. Yet it was precisely out of conflict, tension and introspection that it was born. Sometimes it felt like two planets colliding; a new star forged of chaos and heat, brighter than the sum of those destroyed." “Black Salt was a rite of passage,” adds Rhodes, “one that often took us to places way beyond our comfort zones. The result though, is an album we couldn’t be prouder of.”

It certainly is a special album that needs more than a couple of listen's to fall in love with it, but once you're there, you definitely wll.

PS. Special Album Launch Show at the perfect venue in London, Kings Place on May 1st, 2026.

Further UK & Europe dates TBC.

Album pre-order and gig tickets here: https://linktr.ee/kiioto

BUY LINK / PRE-ORDER: Black Salt | Kiiōtō


Artist: Kiiōtō
Title: Black Salt
Release date: 17th April, 2025
Label: Kiioto Records
Catalog Number: KIIOTOLP01NC
Format: Digital / Bandcamp
Posted by Gerry Hectic | File under : , , ,

It's that time of year when we get totally overwhelmed with Record Store Day so lets look back 20 years for a significant 'Ninja Tune' release that's due another look/listen as 'Everything Is Under Control'?


The original album came out on 2xLP in 2006 when CD's were all the rage.   So, with a cast of 1000s (well quite a few) including some who continue to challenge us like Roots Manuva (as recently seen with Oliver Night on 'Boss' - see review HERE), Soweto Kinch (see HERE) and Phil France (see HERE).

The RSD reissue comes as a 'eco-mix marbled 2LP with a mirror board printed sleeve' but hee's a chance to look back when I was scribbling away for www.flyglobalmusic.com in pre-bandcamp days.


Artist: Coldcut
Title: Sound Mirrors (Record Store Day 2006 Re-issue) 
Release date : 18th April, 2026
Label : Ninja Tune
Catalog Number :TBC
Format: LP Vinyl 

Coldcut are Jon More and Matt Black and they have received as much promotion for their long-awaited album as any band could expect of their label. It’s a good job then that they are also the boss men at Ninja Tune.

Coldcut - Sound Mirrors

With the release of Sound Mirrors, even if they weren’t the top dogs, no one could criticize them on the grounds of quality.

True, some of the early reviews were a little less than ecstatic, but this is a great album and one that’s going to stand up long after Classic Gold radio stations stop playing their earlier chart hits. Having said that, this is no elitist album either.

Of course, we’ve had a head start with the singles including the opener ‘Everything is Under Control’ (Jon ‘Blues Explosion’ Spencer and rapper Mike Ladd), ‘Man In A Garage’ [folky John Matthias] and ‘Mr. Nichols’ (Saul Williams).

Not only do these tracks sound better on the album, they bind the album together along with some particularly catchy tunes. Such as the Indo-pop-dancehall rap with Roots Manuva, which is getting crossover support from the likes of Bobby Friction & Nihal. Roots is fresh from his own Awfully Deep success of last year on Ninja Tunes, the hip hop offshoot, Big Dada.

The mixing on ‘Walk A Mile’ is great and it features the vocal house favourite Robert Owens. Based on the (worn-out) theme of walking in other’s shoes (Depeche Mode, Alwyn Evans, etc) it builds from a blues to a chill-out feel.

The first half of the album is completed by the instrumental title track, ‘Sound Mirrors’ — no doubt inspired from somewhere within a Japanese Zen Monastery.

The next trio of tunes goes to the other extreme and are firmly in the Club. ‘Boogieman’ is a techno-afro-funk version of ‘True Skool’ with another poetic contribution, this time by Amiri Baraka. ‘This Island Earth’ shows off Mpho Skeef’s soulful side and mixes up the afro/broken/house influences. And how many Club-Rave tunes have lyrics by a leftfield jazz stalwart? Try ‘Just For The Kick’ via past ECM artist Annette Peacock.

Saxophonist, Mercury-nominee, Jazz Jamaica member and ex-Jazz Warrior, Soweto Kinch serves up a rap-rant on “Aid Dealer”. Former Ninja Tune Andrew Broder (aka Fog) joins in on downtempo ‘Whistle And A Prayer’ which is a bit strange in the saw-violin way and leads us into 60s Byrdslike tripness of ‘Colours The Soul’.

So forget all that Yazz and Lisa Stansfield Coldcut history or the cutting edge stuff like computer programmes, VJing, art exhibitions, collaborations with minimalist composers and the like, just put on Sound Mirrors and enjoy an album. The best thing they’ve ever done.

Reviewed: Coldcut - Sound Mirrors (Ninja Tune) Cat. No. ZENCD 115

Tracklisting:
1. Man In A Garage - Vocals - John Matthias
2. True Skool - Vocals - Roots Manuva
3. Just For The Kick - Vocals - Annette Peacock
4. Walk A Mile In My Shoes - Vocals - Robert Owens
5. Mr. Nichols - Vocals - Saul Williams
6. A Whistle And A Prayer - Vocals - Fog
7. Everything Is Under Control - Vocals - Mike Ladd , Jon Spencer
8. Boogie Man - Vocals - Amiri Baraka
9. Aid Dealer - Vocals - Soweto Kinch
10. This Island Earth - Vocals - Mpho Skeef
11. Colours The Soul - Vocals - Dom Spitzer
12. Sound Mirrors

Press Quotes:
“Has the cutting edge that modern day contemporaries couldn’t create if they had full instructions. Sound Mirrors is remarkable… truly a master-class in beat science from start to finish.” NME 8/10

“Still passionately engaged with future music… a feast for the ears” Mixmag

“Never sounded so good. Sound Mirrors is mightily impressive; the production flawless and the songwriting exhilarating.” Blues & Soul

“Coldcut are the influencers not the influenced… classy” Time Out

“Coldcut come again - full blooded and schizoid… Still as fresh and relevant as ever.” Straight No Chaser

Links:
Coldcut www.ninjatune.net/coldcut
Ninja Tune www.ninjatune.net
Annette Peacock
Bobby Friction & Nihal Tracklistings 01/02/2006 1. Coldcut feat. Roots Manuva - ‘True Skool’ (Ninja Tune)

A 'jazz' Record Store Day release that isn't as re-issue but is over 10 years old and celebrates Sun Ra, Marshall Allen, Malcolm Catto and "Yellow & Orange 'hazardous' vinyl" must be world a look'?  Oh, yes - 'Nuclear War' and Gilles Peterson's Worldwide Awards, 2015!



The Heliocentrics (the Sun Ra 'arkestra' centred on Malcolm Catto and Jake Ferguson) who team up with a number of jazz giants from the leftfield, like Lloyd Miller (see below), Mulatu Astake, Orlando Julius, were booked to play at Gilles Peterson's Worldwide Award gig in 2015, check the line-up HERE, to give Marshall Allen a life-time achievement award and for Catto, the John Peel Award.

This EP(LP?) is the, up until now, reheasal Malcolm has had on his hard-drive for over ten years which, of course, showcases Ra's apocalypic vision of 'Nuclear War' (full background HERE).

Allen sounds as good then as he does now (Ed. 101 years old and counting) and the only moan is each track should be at least a whole side of the 'Yellow & Orange "hazardous" vinyl' - anyway it reminded me of the review I did for the LLoyd Miller album in 2010.  Miller himself passed in 2024 aged 86 and; "Dr. Miller was also known as Kurosh Ali Khan, a name he used while hosting a prime-time television show in Tehran, Iran in the 1970s". 

Nuclear War, Where Pathways Meet, Angels And Demons At Play, Astro Black ft. Bilal


Artist: The Heliocentrics, Marshall Allen, Knoel Scott ft. Bilal
Title: Nuclear War (Record Store Day 2006 Release) 
Release date : 18th April, 2026
Label : Strut
Catalog Number : STRUT279LP
Format: LP Vinyl 

Lloyd Miller & The Heliocentrics - Lloyd Miller & The Heliocentrics

When I first heard about this one, I admit that I was a little excited and the combination of Lloyd Miller and The Heliocentrics is just that, excitement.


You’ll recall that The Heliocentrics have been turning up on the pages of FLY Global Music with increasing regularity from to the debut album Out There to last years’ award winning Inspiration Information collaboration with the Godfather of Ethio Jazz, Mulatu Astatke (full review HERE and still sounding brilliant on the Jazz Chronicle decks on a monthly basis).

And in truth, the sneaky 10” was the first I saw of this new release (at May’s Jazz Chronicles in the hands of a certain Martin Gordon) so the album has been the talk of the message boards ever since.

But it’s not only The Heliocentrics (as lead by Malcom Catto) that we’ve heard of before. Lloyd Miller was destined to be an underground jazzman by definition being the son of a professional clarinet player and coming from New Orleans. He had his first 78 out in 1950 and then in the late 50s followed his Dad to Iran and absorbed himself in the music and instruments of Persia and the Middle East. And then, like many other jazz musicians from the U.S. he found Europe’s ears receptive to his jazz leanings and lived in Switzerland, Belgium, Sweden and Germany and toured with Eddie Harris and Don Ellis (he of the Turkish Baths; you see the connection?).

Anyway, we already know that his favourite ex-pat home was in Paris where he teamed up with the ‘left bank’ of Jef Gilson (see reviews of Soul Of Africa) and worth checking the re-issue with Lloyd Miller on Free Spirits on Kindred Spirits.

You don’t need to get all these previous releases (or even Jazzman’s compilation A Lifetime In Oriental Jazz) to appreciate this new album. In fact, I’m in two minds whether you need to as this is brilliant.

‘Electricone’ is fantastic introduction, ‘Nava’ fades out far too soon and the track ‘Pari Ruu’ just is crate digger’s Indo-eastern jazz heavenwithout spending hours diggin’ or the cash buyin’.

That’s just the first three tracks! Whether it’s the Heliocentrics or Miller that provide, what the label say is “a freeform mix of Eastern arrangements, jazz and angular psychedelics” is debateable but there’s no doubting that together they prove to be a spiritual force.

‘Salendro’ is a neat diversion that hails from the Far East whilst ‘Spirit Jazz’ is Far East - West Coast and all cosmic points in-between: and therefore for fans of Pharoah Sanders to Nat Birchall and all points in-between.

For funky jazzster that are friends of Alice [Coltrane], ‘Modality’ is fantastic! In fact, I’m struggling to say “fantastic” enough here. ‘Rain Dance’ goes indo, ‘Lloyd Lets Loose’ is beat poet jazz meets Peanuts freestyle

‘Latin’ is a proper Astatke-esque jazz piano groover that sets your feet a-movin’ and your heart a-pumpin’ that make’s it a modern classic even before it’s released. And ‘Charhargah’ isn’t far behind in its modal cool whilst ‘Sunda Sunset’ is a suitable chill out ending to the CD.

You don’t have to be on the hubble bubble pipe to get this vibe and just as exciting as the album, we’re promised a tour next year (Oh! don’t you wanna be on that tour bus?)

And whilst we’re in the vibe, must mention that the artwork for the album features a specially commissioned illustration by artist Alex Williamson with photography by Alexis Maryon and I’d say there’s it’s got that Eastern look at say a Roald Dahl story which is just about the right pitch if you ask me.

On a final note, how does this work? Metro’s Album of the Week gets 3 stars and Lloyd Miller (Age 72) and The Heliocentrics gets 4 stars on the same page! In the Jazz Chronicles, there was and always will be a place for Lloyd Miller (and the Heliocentrics for that matter) but Lloyd is certainly no jazz drop out - more of a jazz must get: fantastic!

Reviewed: Lloyd Miller & The Heliocentrics - Lloyd Miller & The Heliocentrics (Strut) Cat. No. STRUT060CD Release date: 19th July 2010
Tracklisting:
1 Electricone (3:42)
2 Nava (4:55)
3 Pari Ruu (4:15)
4 Salendro (2:08)
5 Spirit Jazz (6:55)
6 Modality (3:19)
7 Rain Dance (3:22)
8 Lloyd Lets Loose (3:30)
9 Bali Bronze (6:14)
10 Latin (3:16)
11 Charhargah (4:07)
12 Sunda Sunset (5:39)

Links:
www.strut-records .com
http://e-edition.metro.co.uk The Metro 19th July 2010 p38 “A stunning return for a man who inexplicably dropped out of jazz history” John Lewis


Thursday, 16 April 2026

Posted by Gerry Hectic | File under : , ,

Over the years, Mr Bongo has released some sort after 7" box sets, like 'Brazilain Beats' and 'Wild Syle' for starters so keep your eyes pealed on Record Store Day for this fantastic 'tribute' to Cuba as DJ KOCO (aka SHIMOKITA) compiles ' Cuban 45 Boxset'.



I remember a well known digger telling me that Cuba is a tresurer trove of unknown Latin jazz-funk 45s that are dirty cheap: the only problem was once bought, you had to smuggle them out passed the Cuban security as there was an export ban.   

So here's more than a great compromise as DJ KOCO has not only down the diggin' for you, he's got these ten golden nuggets on RSD vinyl release.   Japan's DJ KOCO curated the tracks for you (as he did for the Brazil 45 Boxset, 2024) and with this turntablist ear and reputation as a DJ's DJ you can be sure that there's no duffers included here.

If fact, quite the opposite as Juan Pablo Torres y Algo Nuevo's track, 'Rompe Cocorioco' is worth getting in itself.  And then there's the disco soul ballad of Farah María ('Ámame Y No pienses Mas') which is pure joy as is, the totally dubbed out DJ Koco edit of 'Amancer' by Grupo Ismaelillo that's Mexico Herb Alpert goes leftfield.

There's another Edit he's done, FA-5's 'Muévete Con Las Fuerzas Del Corazón' to maximise the "funky dancer" appeall with it's "heavy b-boy/girl break from 1976".

Taking of mid-70s, 'Orquesta Riverside' do Fania on the the heavy 'En Casa Del Tromp No Bailes', the serious trombone on 'Y Viva La Felicidad' (reminds me of Raul de Souza) and the incredible 'Tema Para Un Amanecer' (by Rembert Egües) as we get Roy Ayers vibes mix with Lalo Schfrin orchestration.

Hopefully, this will see a new dawn in interest for Cuban music, especially as there's a hip-hop 'sample' element to all the tracks here as his thing is rare and groove fit for the dancefloor - kinda the inverse of Japanofiles like Higgins/Peden types (see HERE).  Or even fans of the recent Luke Una Presents É Soul Cultura Vol.3 (see review HERE) and, indeed Vol. 2 (see reviw HERE) that know how to more a dancefloor.

I remember seeing the Brazil 45 Boxset for sale in Southampton on RSD (shop since closed) and thinking no one will buy this, I've got time to get to another shop and back and if I've still got some cash, I'll get it later (I think this was the 2021 DJ Marky boxset); clearly, it was sold before I got back and it still rankles - so don't make the same mistake if you see this boxset on the 18th at a Record Store near you.

BUY LINK / PRE-ORDER: RSD release (
https://www.mrbongo.com)


Artist: Various Artists
Title: DJ KOCO aka SHIMOKITA - Cuban 45 Boxset
Release date: 18h April, 2026 
Label : Mr Bongo 
Catalog Number : MRB7235
Format : Vinyl 7" boxset

Tuesday, 14 April 2026

Posted by Gerry Hectic | File under : , , , ,

All eyes on Hollie Cook's 'Shy Girl' gets a full King Tubby make over by producer and desk master Ben McKone - shy now more! 


Hollie Cook's 5th album 'Shy Girl' (see review HERE) get a full Ben McKone 'Made For Record Store Day' 2026 analogue mixing desk dub up.

If you find Ms. Cook a bit too "Lovers Rock" the dub experience is made for new converts and old fans alike.

Just the right combination of vocal hook edits, back in vocals, bass accents and trademark ecno.

We know on 'Rockaway' and 'Take Me In Your Arms' to the delays, echoes and reverb roots of King Tubby (as recently recommended by Bass, Mids, Tops' Joe Muggs) which work so wll alongside the original versions or one their own; 'Dub Me In Your Arms' is particularly spacey even if it uses more of Cook's vocals.

But some tracks are arguably better like 'Frontline Dub' with the horn the first line of attack and the sparce pack mentality of 'Wolf Dub'. 

Not everyone's a fan of the Record Store Day experience but this album will make the experience that much better; so again, "shy girl no more me thinks".

NOTE: The green vinyl version with added A4 sticker sheet is dropping as part of @recordstoreday on April 18th..

BUY LINK / PRE-ORDER: https://holliecook.bandcamp.com/album/shy-girl-in-dub


Artist: Hollie Cook
Title: Shy Girl In Dub 
Release Date : 17th April, 2026
Label : Mr Bongo Records
Catalog Number : MRB341
Format: Vinyl / Digital / Bandcamp

The most anticipated album of the year is here and a perfect way for Bastard Jazz Recordings to celebrate their 25th anniversary with lovetempo and 'There Is A Light' - turn it on!



Nearly a year since the release of the 'But I Do' single/remixes (see review HERE) so it's been a while 'till we've got our hands on the album by lovetempo (aka Mattie Safer) who made his name in The Rapture and Poolside before going solo. 

The 'But I Do' single was one of Gilles Peterson's most favourite tracks of last year so I'm still hopefully that lovetempo will be on the bill at Peterson's 'We Out Here' Festival this year (especially as the US tour dates have been announced - see below).  

But this isn't just NY trendy soul/funk/disco dance hits as there's a downtempo space shuffle of 'Maybe In Another Life' and talking of trendy, Mattie duets with Kate Mattison (of 79.5) on the track 'I Wanna Be With You' (79.5 also having featured on Fouks' recent 'Sundays' EP - see review HERE) and it's strangely in a Sunday Nite radio funk groove that harks to Motown boy/girl love songs - even Rick James & Teena Marie (Ed. that's one for the teenagers).

And if that's reminds you of some steamy 'Portuguese Love' the album ends on a couple of  tracks, 'By Your Side' that has that Latin rolling percussion and hot lyrics that peaks with some out-there synth followed by a blues (of sort), 'A Miracle Or Two' with a bar room sax solo.

What this album highlights is how good this guy is in a variety of styles whether its the soulful 'Never The Same', the pacey Charles Stepney-ish 'Thinking About You', the 'disco' bell-ringer opener 'The Right Way' or the clappy gospel sing-a-long 'pop' of the title track, 'There Is A Light'

As an aside, I played the Rapture big hit at a vinyl only night recently, 'House Of Jealous Lovers' from 2002 on the super trendy (at the time) DFA and this guy got super excited telling me his brother, his trendy older one, played it repeatedly back in the day and it held really good memories for him - 'There Is A Light' will no doubt do the same for folks today - let it shine people!



US.upcoming live dates  
4/26 - Brooklyn, NY @ Baby’s All Right (Album Release Show)
5/6 - Los Angeles, CA @ Gold Diggers (Album Release Show)
5/12 - Philadelphia, PA @ PhilaMOCA*
5/13 - Kingston, NY @ Tubby’s*
5/17 - Providence, RI @ The Parlour*
5/23 - San Francisco, CA @ Madrone Art Bar (Hybrid DJ set)
6/10 - Mexico City, DF @ Tonál (Album Release Show)
7/31 - Los Angeles, CA @ The Airliner^
8/1 - San Diego, CA @ TBC^
8/2 - Phoenix, AZ @ TBC^
*with Meghan Dowlen
^with Social Lovers

Artist: lovetempo
Title:  There Is A Light
Release date: 17th April, 2026
Label: Bastard Jazz
Cat. No: TBC
Format: Vinyl / Digital / Bandcamp

P.S. Gilles Peterson's interview with lovetempo on Lot Radio (in association with Worldwide FM) from NYC for the Winter Jazz Festival starts 12:00 and the whole show is worth a listen 
Posted by Gerry Hectic | File under : ,

The release of Conic Rose's new album is like wedding, a time of celebration and all are invited!


You'll recall that three years ago we had the first singles from their debut album 'Heller Tag' (see review HERE) and we've kept an eye open for them ever since.

The single 'loving parents' came out recently (see review HERE) and they are still covering the influences of the "Kruder & Dorfmeister and Cinematic Orchestra's lovechild, this collection of jazzy, ambient, hip-trippy electronica OST instrumental with more Bonobo and Nils-Petter Molvaer!" it's easy to see why the BBC 6 Music gang of Gilles Peterson, Lauren Laverne and Nemone are fans.

With the album, there unique take on jazz, infused with seemingly disparate influences like Radiohead and the local Berlin techno/electronic scenes, particularly 'too many flowers' and the title track, reaches out to folky broken beat, Herbert, ambient, alt.rock, dub, psych-types

I hope they get some live gigs in churches as well as normal venues when they go on tour to promote the album as it's said, "'Wedding 'describes a state of being".

The 12 tracks are equally to touchstone to Miles' 100 birthday celebrations as trumpeter (and flugelhorn) Konstantin Döben is clearly influenced and having Bertram Burkert on electric guitar gives us a Fripp-ness which suits their Berlin 'Station ot Station' base/surroundings or even Dave Okumu with The Invisible's debut which was nominated for the Mercury Music Prize way back in 2009.

Without a doubt, this is an exceptional album and for fans of jazzy electronica it's a must!

BUY LINK / PRE-ORDER: https://conicrose.bandcamp.com/album/wedding-2 Vinyl arrives on April 17th, with a full digital release following in late summer.

Artist: Conic Rose 
Title: Wedding
Release date: 17th April, 2026 
Label: Conic Rose
Cat. No: CONICROSELP03
Format: Digital

Composed & Produced by: Johannes Arzberger, Bertram Burkert, Konstantin Döben

Trumpet: Konstantin Döben
Guitar: Bertram Burkert
Keys & Modular Synth: Johannes Arzberger
Bass: Bertram Burkert & Franzi Aller
Drums: Nicholas Stampf & Silvan Strauss

Apoll aka André Pollmann digs to find 'The Order Hidden Inside The Echo' in the Morris Audio of sound!



After Gastek & L.D.F.'s 'Iremember (Detroit Mixes) EP  featuring Dmitri SFC (see review HERE),  here's some more deep house from the pulpit of Morris Audio.

Pollmann is a veteran when it comes to producing electronic music! He started in the 80’s with EBM (electronic body music) and was very present in the "minimal scene“ with his own Tongut label and releases on top labels like Substatic, Agnes’ Sthlmaudio or last years' fantastic album on Acid Cuts. 

He’s also no stranger to Morris Audio, as 2 EPs were released in 2003 and 2004 - and more than 20 years later he’s back! 

A 3-track EP that's full to the brim; Religion' is you big gospel house, the "club version" of Annie & The Caldwells if you like, 'Echoes On The Way' is a warp back to minimal dub with a big bounce upfront and 'Not The Grace' falls between the two in terms of House sound dynamics.

This is a big comeback that's definitely in order!



Artist: ApolI
Title:The Order Hidden Inside The Echo
Release date: 17th April, 2026
Label :Morris Audio 
Catalog Number: MA137
Format: Digital
 / Bandcamp

Monday, 13 April 2026

Posted by Gerry Hectic | File under : , , , ,

Of course, If you are based in Brooklyn, where do you go to find Brasilian based classic for the World Cup? London is where you'd find exciles Aline Rocha and Caio Cenci for 'Berimbau' and 'Miss The Water' of course: time to get ready for kick off!


After label boss JKriv recently released the 'Real Ones' EP with Jason Linder (see review HERE), you could almost see it coming that he'd flip the 180 for the next release on Razor-N-Tape.

But this isn't Astrud Gilberto / Dom Um Romao Latin jazz dancefloor 'Berimbau', this is instrumental space disco more in keeping with the Space/Atmosfear plus some very Latin percussion (as you'd expect).  What is surprising (to me anyway) is the magic of 'Miss The Water' is a peak time splash of big vocal house boogie; and I mean, really BIG!

If you know Aline Rocha from DJ events at/of Defected/Glitterbox or Cenci's previous releases on King St and Nervious this ain't a surprise at all, you'll recall Caio's remix on TDE's Dirty Supercar release (see review HERE) and 'Family Affair' Vol. 4 (see review HERE). 

This will be massive long after the World cup has been lifted this year - needs longer versions for a future 12" release?

Artist: Aline Rocha & Caio Cenci 
Title: Berimbau /  Miss The Water
Release date: 17th April, 2026
Label : Razor-N-Tape Records
Catalog Number : RNT
Format : Digital / Bandcamp


It wasn't that long ago I was saying hat it's it hard to follow in the footsteps of Prins Thomas and if you're reading this you'll know exactly what I men as the Prince of Discomiks is back; and he's 'Feeling Wide'.



After the collab of FSQ, Moniquea & XL Middleton with the original 'Feeling Wide' (see review HERE), Prins Thomas turns his attention form having a sex disco with Trip Tease & Alain Vice's (see review HERE) and gets onto feeling long with his trademark 'Diskomiks' quality.

NYC centric FSQ (Funk, Style, Quality) your Norse disco-royality, Prins gets down for some cosmic, house, jazz, psychedlic rock, Italo, disco headspace to displace 80s punk-funk with dreamy "Balearic breeze" that sits on Latin percussion as:-

 Feeling Wide (Prins Thomas Discomiks) 9:42 
 Feeling Wide (Prins Thomas Discodub) 8:48 
 Feeling Wide (Prins Thomas Discomiks Instrumental) 9:42 
 Feeling Wide (Prins Thomas Discomiks Radio Edit) 3:42 

And once you hear the Diskodub, you'll want a diskodub of all your favourite tracks as its "layered with extra luminous, sugary chords over echo-drenched and dubby low ends"

Moniquea's vocals balances out the dub and instrumental version to what will be the sound of 2026!



Artist: FSQ, Moniquea, & XL Middleton 
Title: Feeling Wide (Prins Thomas Discomiks Versons)
Release date: 17th April, 2026
Label: Soul Clap Records
Cat. No: -
Format: Digital / Bandcamp