Thursday, 20 November 2025

Whether you know the term "Ballin' the Jack" as the title of the popular song from 1913 or another railway themed definition, here's the Swedish jazz orchestra that confirms that there's plenty of jazz swing/blues with their trumpet player, Thomas Driving, (the train)!


"Young" Mr. Driving knows his chops and with Håkan Trygger (double bass and arrangements) and Charlie Malmberg (baritone saxophone) who are themselves 50% of the Choco Chatru Quartet (see review HERE) together with Ture Trygger (alto saxophone, Håkan's son), Anders Färdal (guitar) and Martin Wikström (drums) with trombone duties split between Dicken Hedrenius and Olle Eklind you get this unique combination.

But don't expect any of CCQ's 'concept' jazz (they've got their next album on the label coming out soon called 'Lost Christmas' - review coming soon) as this is, what they describe, a "no-generation-band" as the age range is 18-81 years old (Ed. there should be some reference to 'Palindrome'?)

If you do a search on 'Ballin' The Jack' you'll come across a huge selection of jazz history but this band has its roots in the Swedish band Gugge Hedrenius Big Blues Band in which Håkan played in for 10 years, Charlie since the 90s with the 'Jazz Ballroom Night' LP and Thomas for almost 30 years; whilst Dicken Hedrenius (Gugge's son) has been involved all his life.  Such was the band's standing, over the year it's attracted guesting jazz musicians, from across the pond including Mel Lewis, Hank Crawford, Sabu Martinez and more.

With this heritage, it didn't take much for Håkan to spot the potential for a merger (or could that be a 'con(man)firmation'?) of like minds and arrangements.  Like the title track, that you might think Benny Goodman doing trad jazz but it's more subtle than that as we find jazz guitar in the safe hands Anders, Martin's swinging drums and Dickin's trombone. 

And then, you'd think that this formation, with their love of Big Band/Orchestra Swing, would stick to this formula? So they do to an extent with 'Blues For Ronnie' (written by Ture and not a tribute to the original baritone sax player was Ronny Stennson, but for the jazz drummer Ronnie Gardiner – a fantastic person and drummer, originally from america but who has lived in Sweden for many years) with Thomas, Anders, Dicken and the drum'n'bass team standing out.

Talkin' of the blues, 'Mood Indigo' is a long time standard from lounge to charity shop so this might be the best version you've ever heard! And then, Duke Ellington's 'Prelude To A Kiss' sounds inspired by a downtown sleazy night club (perhaps it was) and 'Gee Baby, Ain't I Good To You' is the upgrade to a smokey jazz club with movie soundtrack aspirations.

But hang on, the tracks (like the band) are a mix of old and new. There's originals like 'Rena Hjärtat' ('Pure Heart', written by Håkan)) which is like an instrumental Chevalier Brothers big band without the vibes and bar room sweat (the campaign to get Daniel Kåse guesting on vibraphone starts here) and the boppy 'The Swedish Apple' (another written by Håkan) that's ready for the jazzdance.

At the time of release, we've had three supermoons events ('Harvest', 'Beavour' and 'Cold') and this album starts with a version of the blues standard 'Moonglow' that's a quicker version than Bob Freedman's (the one that appears on his 'Music To Strip By' album) and its a 'shared' track that sets the style for the rest of the album that needs to play on repeat to get the best out of it.

It's great to see Swedish jazz lineage go both ways here (with Håkan and Ture following Gugge and Dicken) and with exponents delivering a new take to a non-generational audience (much like when Gilles Peterson 'discovered' British Jazz 30 years after its peak).  What's that you say, "The Ornette Coleman Trio at the 'Golden Circle ' Stockholm?  I wonder!



Artist: Ballin' The Jack Orchestra
Title: Con Man Firmation
Release date: 20th November, 2025
Label: Trygger Music
Catalog Number : TM3
Format : Vinyl LP / Spotify / Tidal 

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‘LV:HRD’ are broadcasting part 2 of thier Prey For Peace (2022)/LV:HRD/Ears trilogy, this is the 'small' band version of deeper studio jazz avant-industrial - receivers at the ready!



Bristol's music scene has also been on an edge, both musically and location wise, like  the many Larry Stabbins projects, Portishead, Get The Blessing et al.  And Run Logan Run is another as Andrew Neil Hayes (saxophonist/bandleader) and longtime collaborators BB.JAMES (vocals), producer Jonathan Wolf and new recruit, Ryan Thrupp (drums) as they get more experimental with this 4 track EP. 

After Hayes’ broke up the original band that released four albums prior to 'Prey For Peace' (the last one being produced by Riaan Vosloo, he of Nostagia 77 and 6161 - see  review HERE and HERE) he wanted to experiment and now "explores compassion amid chaos, touching on illness, grief, and loving through hardship".   

The use of auto-tuned sax/vocal hybrids ('Without Comma Enough'), punishing industrial grooves ('Skew Yew')  and psychedelic rhythmic interplay ('Wake And Shake') gives the whole thing a Bristolian post-dubstep apocalypse that is 'saved' by the 'straight' sax elements that sit alongside the weirdness of electronica that sounds like (sort of) melodica A. Pablo vs. Throbbing Gristle disco ('Shit Poems').

This is far more NTS that Jazz FM and makes JMMR's new album (check 'Resistence Is Fertile' - see HERE) positively mainstream!  Exciting stuff!

BUY LINK / PRE-ORDERLV:HRD | Run Logan Run


Artist: Run Logan Run
Title: LV:HRD (EP)
Release date: 21st November, 2025
Label: Ankh Sanctuary
Catalog Number:TBC
Format: Digital / Bandcamp


Tuesday, 18 November 2025

NuNorthern Soul are off the beach with an incredible retrospective of Jasper Van't Hof's Pili Pili!



We've had some great releases from NuNorthern Soul of late, like two remix EPs of Tambores En Benirras' 'Ondas Horizontales' (see review HERE and HERE) plus the stunning B.J. Smith 'Dedications To The Greats Vol. 4: Don't Be Cruel' featuring Joe Harvey-Whyte & Tamar Osborn (see review HERE) so when I say, in this office at least, the excitement of the news of a 'Selected Works' covering a near 20 year period of Jasper Van't Hof's Pili Pili as founded by the Dutch jazz keyboardist and bandleader.

Van't Hof has a big jazz heritage with albums alongside both US an European 'big heads' like Archie Schepp, Jean-Luc Ponty, Lol Coxhill, Philip Catherine, Larry Coryell, Joachim Kühn, Michael and Urszula Dudziak and many more so the formation of Pili Pili as an electro-acoustic Afro-fusion collective was a bit of a surprise, especially in 1984.

That said, don't be put off that it's only six tracks out of 11 albums on this 12".  Starting with 'Ile' from their debut album with is a bit like a Afro version of Chick Corea's Electric Band or the more World end of Weather Report the tracks are anything but 'standard'.

By 1987, 'Jakko Jakko' is more Afro synth pop vs. Yello and you can imagine this one being on any Sven Väth 'What I Used to Play' compilation or 'Life Size' (same year) that's basic percussion with Afro-football chant with the Nyabinghi; the band includes pecussionist from Benin and Mali (and at one stage, vocalist Angelique Kidjo).

'Hippo Hips' sounds like it should be the Afro-funker but no, that goes to 'My Gongoma' from 1985 that's heavy on the disco cowbell with echose of Manu Dibango the Cameroon/Paris fusion pioneer 20 years prior to the start of Pili Pili. 

The set ends with 2002's 'Soubatcha' on synth/kalimba/chant as Philophon goes Steve Reich which is another one set to dominate dancefloors as a early warm-up to the return of WOMAD next year (Ed. don't forget Hectic's Radio WOMAD overhight mix - HERE).

If you've already got the Ryo Kawasaki and Joan Bibiloni retrospectives on the label, this is a third must have to put next to their 12" of 'Pili-Pili' as 'Balearic' Coyote Double Drop edit from last year. 
Liner Notes music historian Matt Anniss. Artwork by Chris Maude.

Jazz Cafe (London) Sunday 23rd November 2025: 6.30pm– (£150 – £195):  Angélique Kidjo and Alexandre Tharaud - Grammy-winning Angélique Kidjo and acclaimed French pianist Alexandre Tharaud unite to celebrate the French songbook. Together, they reinterpret classics by Édith Piaf, Serge Gainsbourg, Joséphine Baker, and other French gems in a unique live performance blending Kidjo’s dynamic voice with Tharaud’s masterful piano.


Artist: Jasper Van't Hof's Pili Pili 

Title: Selected Works 1984 - 2002
Release date: 21st November, 2025
Label : NuNorthern Soul
Catalog Number : NUNSSW002D
Format:   Digital / Bandcamp


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After two Yuu Udagawa releases in one month and and a 'Beat Sculpture' with a Coflo remix back in May, no surprise Yuu Udagawa needed to take a breath before coming back with a 'Urban Physicality' that's full of Gold's Gym heavy Razor N Tape dancefloor muscle!



Following on from the 'Golden Glow' EP (see review HERE) and the impressive 'Beats Sculpture' EP with the Coflo remix (see review HERE) but this is the best yet!

A five track EP of 12" mixes of 'In Your Eyes', 'Recollection' and the title track plus not one, but two remixes of 'Urban Physicality' by Takuya Matsumoto; a 'special' remix and a piano mix.

What has been described as "moody deep house" sounds fun and jazzy to me - Carl Craig in San Francisco minimalism as in her 12" mix of Urban Physicality', brooding, yes, but "more alive" than she's ever been (perhaps). 

Which is then funny as Tokyo's Matsumoto gets as tough as Brooklyn, Bronx & Queens 80s style until he flips the vibe with the piano mix.

But I keep returning to 'In Your Eyes' with its loopy keys and cymbols of flutterng rain that make it have a beauty all of it's own.

Artist: Yuu Udagawa 
Title: Urban Physicality EP
Release date: 21st November, 2025
Label: Razor-N-Tape Records
Cat. No: RNTD128
Format:  Digital / Bandcamp


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Luxembourg-based jazz quartet Jambal link up with Kenai Shogun as a new collaborative alias of Luxembourgish / Brazilian rapper (f.k.a Culture the Kid) to release 'Men of Average Nature'; did someone say, "Roy Hargrove's RH Factor?" - thank you Mr. Trumpet Man!



Well that's what you'd be thinking after the opening track but beware, these are not 'Men Of Average Nature', they are long term friends that have manage to condence years of jamming together into these eight tracks.

Jambal and Kenai Shogun joined forces for this project after being scattred aroun Europe (London, Oslo, Amsterdam and Antwerp) only to blend their favourite genres back in Luxembourg.

So what are their favourite genres?  On 'Fair & Well' you might think potty mouth grunge rock rap jazz: "You what?", yeah, all in one track - Red Hot Chilie Peppers meets Modern Jazz Quartet (or more likely, JMMR - see review HERE).   

'Thalassophobia' is a track with more of a calm control and makes it easier to imagine all this energy was recorded at the prestigious Charles Stoltz’s studios as the album chills somewhat blending "jazz improvisation with sharp penmanship", 'Glon Cherry', 'Haunt Me, Curse Me' are far more jazzy, featuring Mateus Wojda on guitar and Ben Bley on trumpet respectively.

Don't be put off by the cover photo as Jambal takes the success of UK jazz groups, Ezra Collective etc, into their own 'out there' hip-hop, jazz and rap further with the addition of Brazilian rap; with a capitol 'S'; are they getting at the spelling of 'Brasil'? 

In fact, the Brasilian influence gets more obvious with 'Marinheiro' and 'non-radio edit' single 'Start Like This' - there's some nice lines on this from the rap and "Mr Trumpet Man" makes it  totally engaging and by now you're loving this album - it's only a shame that the Jack Kerouac beat poetry improv theory of 'typebeat' didn't get expanded into more Thundercat influenced Dub Lab - perhaps one for another day as these guys are so talented they could so do that genre!

Release party: 22.11.25. 20:00: JAMBAL ‚quickly becoming one of the most exciting voices in the grand duchy’s new wave of underground music and youth culture’ Stued Theater Gréiwemaacher Res. stuedtheater@gmail.com



Artist: Jambal 
Title:  Men Of Average Nature
Release date: 21st November, 2025  
Label : Independent
Catalog Number : TBC
Format : Digital  / Bandcamp

Compositions - Ben Bley, Arthur Clees, Mateus Wojda, Rolan Eberhardt, Luca Garofalo
Vocals, Lyrics - Matteo Griz Wolff
Trumpet, Synth - Ben Bley
Vibraphone, Piano, add. Percussion - Arthur Clees
Electric Guitar - Mateus Wojda
Electric Bass - Rolan Eberhardt
Drums, add. Percussion - Luca Garofalo
Recording - Charles Stoltz
Mixing - Charles Stoltz
Mastering - Miklós Kovács & Marci Fenyvesi

Monday, 17 November 2025

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JMMR has all the Vitamin C you need in cans, Nublu Records we salute you for planting this seed!

 



It was only a month ago we were introduced to Ilhan Ersahin's Istanbul Sessions (see reveiw HERE) on New York's NUBLU label that followed The Phenomenal Handclap Band's 'We Are Worlds Away' (see review HERE) but nothing prepared us for JMMR that's even more jazz-rock-fusion of Acoustic Ladyland with cross-genre influences!

This 11 track album is amazing!  The cover version of CAN's 'hit' 'Vitamin C' has already made this album the 'must have' this month but jazz-funk electronica with sophisticated punk has never been as pure as this; there's even a spiriutal flute gang track 'Igor Stravinsky' featuring  Cochemea Gastelum (The DapKings) and Morgan Price (Ikebe Shakedown)

So who is/are JMMR who knows who's who in the New York underground jazz and funk scenes?   Founded in 2019 by trumpeter and long time Antibalas member, Jordan McLean is the leader/arranger of Jordan McLean's Musical Resistance (aka JMMR).

Antibalas themselves were Brooklyn's own agit Afrobeat band whose name translates as 'anti-bullets' in Spanish.  And JMMR is clearly dance/experimental: like a electronic Shrine?.  We're told that the album, "was recorded using layered first take performances. All tracks were recorded to “dance music” tempo markings (between 120-172 beats per minute, or BPM) beginning with voice memo beatboxes, layered on top by drums, synths and finally horns.

However it was recorded, it sounds different as this proves to be a bed for reedman guests like Gastelum and Price plus Stuart Bogie ('Right To Die 162 BPM', Virtue Signaling 139 BPM', 'Dancing On The Precipice 144 BPM') and Ricky ('Uptown Swing 148 BPM) to improvise to the tracks.  

There's quite a bit of dubby experimentation going on so it'd be interesting to see if an Industrial Dub 12" is released but 'Climate Wars 172BPM' coinciding with the COP30 in Brazil is just what Miles would be up to in a post-Panthalassa dub-step big band?

I think it's pointless to put this in a genre bag as it's a crazy re-cylcled bag of it's own that would have fitted into any Jazz Chronicles playlists; let's all move to New York (new Mayor'n' all) if not physically, JMMR-ly as 'Resistance Is Fertile'.

BUY LINK: https://ffm.to/resistanceisfertile


Artist: JMMR 
Title:   Resistance Is Fertile
Release date: 14th November, 2025
Label : Nublu Records
Catalog Number :TBC
Format:  Digital / Bandcamp 

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T.Markakis' 'Little Prince' / 'Starlight' is coming to you on Vibe Me To The Moon Records to brighten up our days 



Markakis is from Greece and over the last couple of decades he's had releases on some of the biggest labels like, King Street, Deefected adn Glasgow Underground (Ed. don't mention Greece in Scotland afte the footie last weekend).

So it's about time Vibe Me To The Moon Records have signed him up for this two-track release.

Leading with 'Little Prince', a track inspired by his seven-year-old son, which races and grooves up and down the warm Mediterean beachscape with smooth vocals that keeps you moving.

'Starlight' takes us to the skies at a slower pace with a bumpy bassline, warm jazzy keys and some bah, bah, bahhhh vocals.

Seems like summer to me which is a good idea at any time of the year. 



Artist:  T.Markakis 
Title: Little Prince / Starlight
Release date: 21st November, 2025
Label : Vibe Me To The Moon Records
Catalog Number : VIBE032
Format: Digital / Bandcamp

Sunday, 16 November 2025

London-based producer, DJ and multi-instrumentalist, Oliver Night stunned us with the return of Roots Manuva on the single 'Boss' but he's even obvious as a candidate for album of the year with 'Between The Lines' on Tru-Thoughts!


 
After the debut single, 'Run Like The River' / 'Reach Out' (see review HEREand Roots Manuva on the killer 'Boss', are you thinking that's as good as it gets?  Well, if you are, don't as here's a full 12 track album that's top draw from start, 'Undefeated' featuring Goldbar (that's got the soulful sound of an Omar) to the final track, 'Trance End' featuring David Mrakpor on vibes, he of Blue Lab Beats!

And then you've got Megatronic ('It's Alright' and 'We Are Love' - also check out her latest, 'There's Truth In Gospel' - see review HERE), Kaya Fyah ('Vibez' and 'Friends') and the best of the lot, Jay Phelps showing off on 'The City'!

London's Oliver Night, having made a name for himself in the post-Co-Op) has incorporated a modern soul-jazz-house-broken beat that keeps his identity and cross-over appeal all at the same time.

'Between The Lines' is out now and best go and get it.



Artist: Oliver Night 
Title:  Between The Lines
Release date: 14th November, 2025  
Label : Tru-Thoughts Recordings
Catalog Number : TRU475D
Format : Digital  / Bandcamp 

Friday, 14 November 2025

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A hell of an introduction, Saiga Tracks have arrived!



When Mike Anning (sax) joined forces with trumpeter and composter Josh Short, there's the fusion in the making so add to these two, Mike Anning (sax), James Copus (trumpet), Brazilian trombonist Joabe Reis and LOX on drums and featureing Kyle Drakard's "fusion-esque" guitar.

May not be household names now, but if I know anything about 70s inspired jazz-fusion from the Yellow Jackets to the much missed and tragic loss of Roy Hargroves RH Factor and throw in some Butcher Brown featuring Nicholas Payton, you're going to gain attention like the drum solo on 'Track 5'!

But this is no 'one track' release as 'Detroit' sets us up for the horn frontal attack, think Tower Of Power' in a citiy night scape as McLaughlin/Metheny jazz-funker.  Having these guys grown up listening to Weather Report, Mahavishnu Orchestra, Miles and Herbie?  'Mewwija' certainly sounds like it but not in a 'student' way as there's definitely a sense of their own style groove; in case you were wondering, 'Mewwija' is a name for the Maltese peninsula where Valetta is situated: strategic you would agree.

But that's not the only landmark track here, Jaco's bassline gets a nod on 'Coastal Highway' and whilst the synths take us along the Pacific coast, the trombone solo really suits this set-up that's not been seen on these shores since Raul de Souza passed. 

Take a breather with 'Groove, Changes' and the Payton inspired 'Numbers' before that 'Track 5' hits us over the head again. 

All the usual suspects will be supporting this one like Jazz on 3, BBC Radio 6's Gilles Peterson, Jazz FM and more plus the adventurous DJ jazz dance types.


Artist: Saiga Tracks 
Title: Introducing Saiga Tracks 
Release date: 14th November, 2025
Label : Bridge The Gap
Catalog Number : TBC
Format: Dgital / Bandcamp 


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We've mentioned Capitol K numerous times in relation to his involvement with other peoples music on this site so whilst this is his 10th album, he's always been 'off-kilter' which makes his music even more intresting. 


Capitol K (aka Kristian Craig Robinson) recorded this album in his home studio in Malta after a 13 year stint as an engineer at London's Total Refreshment Centre where he's worked with their diverse involvements with a range from Alabaster DePlume to Thurston Moore. 

As you'd expect there's no specific vibe save for a minimalist noir a a Depeche Mode and a winter synth pop a la OMD; 'Skyscrapers Of Love' is fun and retro plus there's a revisit to 'Pillow' and 'Love In Slow Motion'.

The synth/drum machine hardware used to produce this album is truly awesome and the ten tracks give you enough to reflect on much like the strangeness of an artichoke itself.

BUY LINK / PRE-ORDER: Artichoke | Capitol K.

Artist: Capitol K 
Title: Artichoke
Release date: 14th November, 2025
Label: Faith & Industry
Cat. No: TBC
Format:  Digital / Bandcamp