With a cover that looks very William Morris (that's the English textile designer, poet, artist, writer and socialist associated with the Arts and Craft movement at the end of the 19th Century) [and not the plumber], Inkswel and Andre Espeut combine artistically and soulfully on the album 'Synchronicities'.
We know from the singles, 'Dangerous Times' (see review HERE) and 'Downtown Love' (see review HERE) that soulfull hip-hop beats are what these guys excel at and with their super guests Abstract Rude (Project Blowed), flautist Han Litz ('Callin' 4 U') (Ed. is there some flute revival going on in late 2024? Where's the Flutestrumental mix?), Leonard Charles (multi-instrumentalist/producer) and between them, 'Synchronicities' is an album of eight tracks that fuses modern soul (sometimes R&B), hip-hop, broken beats, some jazz, house and more.
We first came across Inkswel at the time of fellow antipodean invasion to Europe of Fat Freddie's Drop, The Black Seeds, Joe Dukie et al and twenty years on, the synchronicisation with London based Andre Espuet (pronounced 'Esporr') gives this project a fusion that's like a Fat Freddie's Drop as the song writing is very heartfelt and crosses the pop boundary like 'Yesterday's Gone', 'Uprinsing' and the most FFD, 'Street Soul' and 'Play With Fire'.
I don't know what coincidential occurance happened to create 'Push N Pull (Synchronicites)' but I think the this is the peak of the meeting of the musical minds; shame about the 'sharp' ending.
Artist: Inkswel & Andre Espeut
Title: Synchronicities
Release date: 29th November, 2024
Label : Compost Records
Catalog Number : CPT6044
Format: Digital / Bandcamp
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