"Balearic mainstays" Coyote return to a the endless inspiration of sky and sea with a new EP coming out on the NuNorthern Soul label.
Bandcamp listening Party 22.04.26 HERE
Label : NuNorthernSoul
Catalog Number : NUNS076
Format: Digital / Bandcamp
Bandcamp listening Party 22.04.26 HERE
We know from Declan McDermott's Delusions Of Granduer debut EP, 'Doin' It All For U' (see review HERE) that not only is he a super talent in the deep house jazzy department that's got a thing for Ritchie Rome, but big names like Tom Trago and lovetempo are happy to step up to the plate on the remix.
The time you've got Versatile Records' veteran I:Cube from France and NYC-based DJ Nature. But once you'be heard 'Why Don't You Belive Me?' with some sexy Sparky/Rome interplay with female vocals in French and English on a Fender Rhodes bed - you may ask yourself, "Pourquoi?"
I:Cube speeds it up and has a choppy approach to the vocals and it kicks some with a tape loop switch!
I've always liked what DJ Nature does, from his earliest Golf Channel days and Tim Sweeny Beats In Space appearances as he got the perfect blend of Theo Parrish meets jazz not jazz house. And he hits that brief in buckets on this remix with mod/Blackpool organ undercurrents on the pourquoi to the why!
"Dutch funk collective Another Taste returns with their second full-length album ‘Another Taste II’ on Space Grapes Records, a lable run by a certain Danilo Plessow - better known as Motor City Drum ensemble!
In a digital age, the band doubles down on analog and here ‘Another Taste II’ delivers eight new cuts of boogie, funk and obscure disco recorded live to tape".
This is a the Rennes trio of of Gaël Bourgeault (Grand piano, upright piano, Fender Rhodes, keyboards), Léo Debroise (Upright bass) and Victor Dubois (Drums) and 'Tonight' is perfect for a quiet, late or listening room one as they mellow out piano trio bad boys (like The Bad Pluse, BadBadNotGood etc) to a Dilla-esque cinematic orchestra.
The cinematic ambience created mostly by the range of Bourgeault's keyboard choices with particalarly emphasis on the jazzy Fender Rhodes to the classical grand piano.
The album consists of 7 instrumentals and one with vocals by Keysuna, the fittingly entitled 'Don't Rush' and it's alreay had plays on Gilles Peterson' 'Worldwide FM' show, Tina Edwards' 'Bandcamp Selects' show and featured by Laurent Garnier, Somewhere Soul (he of 'Rituals' - see review HERE) and Music Is My Sanctuary.
So if you've had a busy day and you're looking for a Saturday 'Tonight' luxury, check out the comfortable warm sounds of the Namas.
Coldcut are Jon More and Matt Black and they have received as much promotion for their long-awaited album as any band could expect of their label. It’s a good job then that they are also the boss men at Ninja Tune. | |||||
With the release of Sound Mirrors, even if they weren’t the top dogs, no one could criticize them on the grounds of quality. True, some of the early reviews were a little less than ecstatic, but this is a great album and one that’s going to stand up long after Classic Gold radio stations stop playing their earlier chart hits. Having said that, this is no elitist album either. Of course, we’ve had a head start with the singles including the opener ‘Everything is Under Control’ (Jon ‘Blues Explosion’ Spencer and rapper Mike Ladd), ‘Man In A Garage’ [folky John Matthias] and ‘Mr. Nichols’ (Saul Williams). Not only do these tracks sound better on the album, they bind the album together along with some particularly catchy tunes. Such as the Indo-pop-dancehall rap with Roots Manuva, which is getting crossover support from the likes of Bobby Friction & Nihal. Roots is fresh from his own Awfully Deep success of last year on Ninja Tunes, the hip hop offshoot, Big Dada. The mixing on ‘Walk A Mile’ is great and it features the vocal house favourite Robert Owens. Based on the (worn-out) theme of walking in other’s shoes (Depeche Mode, Alwyn Evans, etc) it builds from a blues to a chill-out feel. The first half of the album is completed by the instrumental title track, ‘Sound Mirrors’ — no doubt inspired from somewhere within a Japanese Zen Monastery. Saxophonist, Mercury-nominee, Jazz Jamaica member and ex-Jazz Warrior, Soweto Kinch serves up a rap-rant on “Aid Dealer”. Former Ninja Tune Andrew Broder (aka Fog) joins in on downtempo ‘Whistle And A Prayer’ which is a bit strange in the saw-violin way and leads us into 60s Byrdslike tripness of ‘Colours The Soul’. So forget all that Yazz and Lisa Stansfield Coldcut history or the cutting edge stuff like computer programmes, VJing, art exhibitions, collaborations with minimalist composers and the like, just put on Sound Mirrors and enjoy an album. The best thing they’ve ever done. Reviewed: Coldcut - Sound Mirrors (Ninja Tune) Cat. No. ZENCD 115 Tracklisting: Press Quotes: “Never sounded so good. Sound Mirrors is mightily impressive; the production flawless and the songwriting exhilarating.” Blues & Soul “Coldcut are the influencers not the influenced… classy” Time Out “Coldcut come again - full blooded and schizoid… Still as fresh and relevant as ever.” Straight No Chaser Links: —Gerry Hectic Saturday 4 February 2006 | |||||
Lloyd Miller & The Heliocentrics - Lloyd Miller & The Heliocentrics When I first heard about this one, I admit that I was a little excited and the combination of Lloyd Miller and The Heliocentrics is just that, excitement. | |||||
You’ll recall that The Heliocentrics have been turning up on the pages of FLY Global Music with increasing regularity from to the debut album Out There to last years’ award winning Inspiration Information collaboration with the Godfather of Ethio Jazz, Mulatu Astatke (full review HERE and still sounding brilliant on the Jazz Chronicle decks on a monthly basis). And in truth, the sneaky 10” was the first I saw of this new release (at May’s Jazz Chronicles in the hands of a certain Martin Gordon) so the album has been the talk of the message boards ever since. But it’s not only The Heliocentrics (as lead by Malcom Catto) that we’ve heard of before. Lloyd Miller was destined to be an underground jazzman by definition being the son of a professional clarinet player and coming from New Orleans. He had his first 78 out in 1950 and then in the late 50s followed his Dad to Iran and absorbed himself in the music and instruments of Persia and the Middle East. And then, like many other jazz musicians from the U.S. he found Europe’s ears receptive to his jazz leanings and lived in Switzerland, Belgium, Sweden and Germany and toured with Eddie Harris and Don Ellis (he of the Turkish Baths; you see the connection?). Anyway, we already know that his favourite ex-pat home was in Paris where he teamed up with the ‘left bank’ of Jef Gilson (see reviews of Soul Of Africa) and worth checking the re-issue with Lloyd Miller on Free Spirits on Kindred Spirits. You don’t need to get all these previous releases (or even Jazzman’s compilation A Lifetime In Oriental Jazz) to appreciate this new album. In fact, I’m in two minds whether you need to as this is brilliant. ‘Electricone’ is fantastic introduction, ‘Nava’ fades out far too soon and the track ‘Pari Ruu’ just is crate digger’s Indo-eastern jazz heavenwithout spending hours diggin’ or the cash buyin’. That’s just the first three tracks! Whether it’s the Heliocentrics or Miller that provide, what the label say is “a freeform mix of Eastern arrangements, jazz and angular psychedelics” is debateable but there’s no doubting that together they prove to be a spiritual force. ‘Salendro’ is a neat diversion that hails from the Far East whilst ‘Spirit Jazz’ is Far East - West Coast and all cosmic points in-between: and therefore for fans of Pharoah Sanders to Nat Birchall and all points in-between. For funky jazzster that are friends of Alice [Coltrane], ‘Modality’ is fantastic! In fact, I’m struggling to say “fantastic” enough here. ‘Rain Dance’ goes indo, ‘Lloyd Lets Loose’ is beat poet jazz meets Peanuts freestyle ‘Latin’ is a proper Astatke-esque jazz piano groover that sets your feet a-movin’ and your heart a-pumpin’ that make’s it a modern classic even before it’s released. And ‘Charhargah’ isn’t far behind in its modal cool whilst ‘Sunda Sunset’ is a suitable chill out ending to the CD. You don’t have to be on the hubble bubble pipe to get this vibe and just as exciting as the album, we’re promised a tour next year (Oh! don’t you wanna be on that tour bus?) And whilst we’re in the vibe, must mention that the artwork for the album features a specially commissioned illustration by artist Alex Williamson with photography by Alexis Maryon and I’d say there’s it’s got that Eastern look at say a Roald Dahl story which is just about the right pitch if you ask me. On a final note, how does this work? Metro’s Album of the Week gets 3 stars and Lloyd Miller (Age 72) and The Heliocentrics gets 4 stars on the same page! In the Jazz Chronicles, there was and always will be a place for Lloyd Miller (and the Heliocentrics for that matter) but Lloyd is certainly no jazz drop out - more of a jazz must get: fantastic! Reviewed: Lloyd Miller & The Heliocentrics - Lloyd Miller & The Heliocentrics (Strut) Cat. No. STRUT060CD Release date: 19th July 2010 Links: —Gerry Hectic Wednesday 21 July 2010 | |||||