Tuesday, 1 September 2026

Posted by Gerry Hectic | File under : , , , ,

Extend your summer with a soundtrack to the movie that's yet to be made from 60s surf to funky soul OST circa 70s and early 80s, that's what you find in Eleven 76's 'A Day Of Unrest'  - and a whole lot more!



It's been a while since Légère Recordings' released Al Sunny's 'Summer End' (still a good 'un to catch up with this time of year - see review HERE) but imagine travelling through coniferous woodlands tinged with yellow gorse that lead to eroded cliff faces and soft sand wet from the ominous waters of the North Sea, this part of the Northern Hemisphere - the East Coast of the U.K. with its mythical stories of underwater villages, beasts that terrorised clergymen and Bond-Villain-style nuclear facilities seem like an unlikely location for a musical partnership drenched in European cinema soundtracks, American B-movies, oddball funk and a DIY post punk aesthetic. But this is the place where we find Paul Elliott and Dan Smith, known collectively as Eleven76.

Nestled in their respective studios, experimenting and developing sonic textures, firing files across the internet and coming together to lay the foundations of compositions and to finalise mixes, Eleven76 have a process of work that marries the best parts of the analogue and digital worlds. Live instruments, spontaneity and a love for music are key to their workflow.

With their four albums 'Space Voyage' (2018), 'Occhio Occhio' (2022), 'Synchronization' (2023) and now with their latest episode “A Day Of Unrest’”, Eleven76 transports the listener to parallel universes. Creating the soundtracks to films that do not exist is no mean feat. With smart compositions utilising vintage instruments whilst keeping an eye firmly set on the groove, the pair have been able to teleport the listener to retro-futuristic space missions, the cool sun-drenched European cities of the late 60s and 70s, through to intense dystopian b-movie thrillers of the early 80s.

With 'A Day Of Unrest', Eleven76 produce a soundtrack album that fuses 70s US cop drama with Italian ‘giallo’. There’s tension, intrigue, moments of light and heavy groove, making “A Day Of Unrest’” a body of work that reveals itself more upon each listen. This thematic record draws you from imaginary scene to imaginary scene and your mind’s eye can see the narrative unfold in front of you as you listen.

Working together for almost two decades, the work of multi-instrumentalists Paul Elliott and Dan Smith has included composing for TV, film and commercials, as well as writing and performing in both studio and touring bands. Paul began DJing in his early teens and has since developed a reputation as a wide-ranging collaborator and his projects have intersected with artists including Asha Puthli, Bacao Rhythm & Steel Band and Shawn Lee, reflecting a practice built on exchange, groove-led thinking and a creative instinct that continues to inform his approach today. Similarly Dan Smith has continually been a top tier co-writer and collaborator for both commercially minded, left field and avant-garde musical projects, which have seen him reach the top of UK charts with the Noisettes and for seven years become an integral band member of The Heliocentrics and now the Crazy World of Arthur Brown who he currently tours and records with. A musical architect, His genre-spanning ability and depth of knowledge is second to none.

Their sound is built on a friendship and trust of musical taste, spontaneity, improvisation and an evolving collaboration. Eleven76 have a system … and it works..



  • September 4, 2026 at 7:00 PM GMT+1 Join Eleven76 for the listening party of "A Day of Unrest"and enjoy an  album length of fun & funk, insights & stories.

 
Artist: Eleven76
Title: A Day Of Unrest
Release date: 4th September, 2026
Label: Légère Recordings
℗ Legere Recordings 2026
© Legere Recordings
Published by Mr. Mellow's Music
Composed by Paul S. Elliott, Daniel Smith
Cat. No: LEGO417
Format: Vinyl / Digital / Bandcamp


Posted by Gerry Hectic | File under : , , ,

UK based Italian Cenzo Scoglio loves to turn minor sounds into major sounds for his label, Minor Sounds! Put on ya best tucker for Finest Wear's latest 4-track EP, 'For The People'.



Following on from 'Good Vibrations' EP (see review HERE) and  'The Obsidian EP' on Closer To Truth (see review HERE),  Finest Wear returns with his fifth release on Minor Sounds, presenting to you - For The People EP, landing on 4th September 2026.

Staying true to its title, 'For The People' is a collection built for the dance floor while remaining firmly rooted in the underground. Blending deep house and garage house influences, the EP showcases Finest Wear's signature sound warm analogue basslines, crisp drums, rich synth textures, and infectious grooves that move effortlessly between intimate late-night sessions and peak-time club moments.

Leading the release is the title track, a synth-laden journey driven by tight percussion, warm analogue low end, and the unmistakable rolling energy that has become synonymous with Finest Wear's productions.

Next up is 'Keep On Lovin'', where smooth, rolling beats powered by the new LM Drum combine with trademark basslines, lush synth patterns, and tasteful garage inspired vocal cuts to create an irresistible groove.

The third cut, 'Midnight Kiss', explores the deeper and more melodic side of Finest Wear's sound. Built around classic 4x4 rhythms, a gentle rolling bass line, soulful vocal textures, and a sweet, hypnotic acid line running throughout, it delivers a warm late night appeal making it a perfect weapon for those after-hours moments.

Closing the EP is Deep Down, The darkest offering of the four, Diving into deeper underground territory, it pairs hypnotic moody synth stabs work, a rolling low-end, and cool oldskool vocal snippets.

Finest Wear continues to refine his distinctive blend of deep house and garage influences, delivering four cuts designed with one purpose in mind, keeping people moving from the first track to the last.

If you like what you hear please show some love and support in your Radio Shows, Live Streams, Clubs/Bars & DJ Charts.




Artist: Finest Wear 
Title: Good Vibrations EP 
Release date: 4th September, 2026
Label : Minor Sounds
Catalog Number : MS005
Format: Download / Beatport / Traxsource / Bandcamp
Posted by Gerry Hectic | File under : , , ,

Compost Records have had their eyes on Peter Gall for the past seven years since his debut album and now its the time to release the jazz drummers' unconventional  album, 'Drum Seeds': watch them grow!



A couple of years on since the Peter Gall 'difficult' second album 'Love Avatar' you'll recall that project recorded with top musicians from the European jazz scene which got top reviews (see review HERE), led to successful tours and performances at renowned jazz festivals and won the German Jazz Award for “Album of the Year” in 2025.

The temptation to repeat a winning formula must have been, quite literally, tempting!  But jazz drummers are not typically typical so when drummer/producer Peter Gall says he's doing a solo album, 'Drums Seeds' is much more than just a drum statement.

The groundwork was actually laid by Compost label head Michael Reinboth: He had long wanted to produce a pure drum album with Peter Gall. So they met at Jan Krause’s (Beanfield) studio, where Peter Gall had also recorded numerous albums for the Compost universe with the spiritual jazz supergroup WEB WEB. In this familiar atmosphere, hours of material emerged—ranging from beats and grooves to layered drumkits and, in some cases, orchestral drum-and-percussion arrangements. On DRUM SEEDS, Gall’s drumming is more prominent than on any of the roughly 50 albums the 42-year-old has recorded to date for various bands and artists. Nevertheless, he remains averse to sheer, virtuoso show-off drumming. “For me, it’s more about the feeling and the story a simple groove can tell,” he says.

Peter Gall’s love for vintage analog synthesizers then derailed the original plan to let only the drums take center stage on the album. And suddenly, the mantric beats evolved into partly song-like tracks with immersive sound collages that evoke associations: with the ambient works of Aphex Twin, the dancefloor bangers of Caribou, the jazz of the ’60s and ’70s, with The Streets, Boards of Canada, the soundtracks of David Lynch or Blade Runner, but also, time and again, to Gall’s earlier jazz albums—with compelling melodies, profound harmonies, and an imaginative, spiritual atmosphere.

PS. Did I not say 'Groove Receiver' and 'Super Truth' are amazing?  Kraut-Rock-Returneth!

BUY LINK / PRE-ORDER: https://petergall.bandcamp.com/album/drum-seeds


Artist: Peter Gall
Title: Love Avatar  
Release date: 4th September, 2026
Label: Compost Records
Cat. No: CPT 635 1-2-3
Format:Vinyl LP + Download Card / CD / Digital / Bandcamp
673794268019 > LP
673794268026 > CD
673794268033 > Digital
Posted by Gerry Hectic | File under : , ,

Blurry The Explorer's cleans up the blue book with an album of 'Clear Blue Mind' experimentation that's oceans deep and Latin too!


Hot on the heals of Guri Assis Brasil debut solo album as 'Animal Invisível', "an instrumental project fusing 70s Brazilian grooves, jazz, and psychedelic rock" (see review HERE), Blurry the Explorer (aka experimental composer Jeremy Gustin) returns with 'Clear Blue Mind', his third album, featuring Rodrigo Amarante, Tenniscoats and Annakalmia Traver. 'Clear Blue Mind' is Jeremy's most expansive work yet: a borderless musical journey, recorded at the legendary Marini Studio in Rio de Janeiro.

So a bit of Brasilian trend going on at Brooklyn's Nublu Records we think, especially as this 10-track album expands the project's borderless sonic world with contributions from an international cast including Rodrigo Amarante (Brazil), Tenniscoats (Japan), Annakalmia Traver (Rubblebucket, Kalbells), and Lola Parda (Argentina). Following tours and intensive work with legendary Brazilian producer Kassin, Gustin assembled core collaborators Ricardo Dias Gomes (Caetano Veloso), guitarist Ryan Dugre (Rubblebucket, Joan As Police Woman), and producer/guitarist Leo Abrahams (Brian Eno, Paul Simon and fond memories of 'The Grape & The Grain' - see review HERE) for focused but spontaneous recording sessions embracing intuition, chance, and the joy of not knowing where the journey leads.

"More often than not, the songs are born out of improvising over simple ideas one of us brings" Gustin explains. "We always leave space for...something. This unknown element is always exciting and confusing. " The album's diverse vocal palette creates what Gustin describes as "a full world of colors, shapes and sounds. " From Rodrigo Amarante's intimate storytelling to Tenniscoats' ethereal harmonies, Annakalmia Traver's expressive range, and Lola Parda's haunting beauty, each voice brings distinct character to the sonic journey. Vocalists Katy Pinke, Lip Talk, Tall Juan, and Tigra Rose (recorded in a Bali hostel after a traditional Hindu puppet show) round out the international ensemble.

The recording sessions themselves seemed touched by serendipity. While browsing the record shop beneath Marini Studio—home to underground venue Audio Rebel—Gustin discovered a recording of his grandfather performing Mozart's Bassoon Concerto with the Boston Symphony Orchestra. "I don't know what this means besides a deep feeling of being in the right place at the right time, " he reflects.

The name Blurry the Explorer comes from an unexpected source: a fleeting reference in the complete, unedited Diary of Anne Frank, discovered by Gustin during lockdown in a silent Manhattan. Frank mentions writing an amusing story for a friend called “Blurry the Explorer” a phrase that struck Gustin instantly. It perfectly captured the spirit of the project—an entity constantly exploring, undefined, and intentionally unclear, revealing itself slowly through experience.

BUY LINK / PRE-ORDER (Super limited edition vinyl LP housed in full color jackets w CMYK Labels, arrival dust sleeves, and pressed on Laguna eco-mix vinyl. Only 200 Made for the world!): https://blurrytheexplorer.bandcamp.com/album/clear-blue-mind


Artist: Blurry The Explorer
Title: Clear Blue Mind
Release date: 4th September, 2026
Label : Nublu Records
Catalog Number: TBC
Format:  Vinyl / Digital / Bandcamp

CORE BAND:
Jeremy Gustin – Drums, keys, vocals
Ricardo Dias Gomes – Bass, keys
Ryan Dugre – Guitar
Leo Abrahams – Guitar [
Hectic, Gerry (1 February 2009). "Reviews: The Grape and the Grain"Fly Global Music. Archived from the original on 5 June 2011. Retrieved 5 March 2011.]

ADDITIONAL MUSICIANS:
Jake Sherman – Vibraphone (track 8), Keys (tracks 5, 6, 8, 9)
Will Graefe – Acoustic Guitar (track 10)
Kassin – Lap Steel (track 9)

GUEST VOCALISTS:
Começo – Ricardo Dias Gomes
Wiggle Room – Annakalmia Traver
There On The Moon – Lip Talk
Sete Velas – Rodrigo Amarante
Clear Blue Mind – Aaron Roche
Fondo Del Azul – Lola Parda
Forever Dusk – Tall Juan
It's OK Paul – Tenniscoats
Laut – Tigra Rose
In My Garden – Katy Pinke

Friday, 28 August 2026

BIG BIG BIG news - Black Science Orchestra are BACK. Rob Mello, Darren Morris and Ashley Beedle! 



You'll recall the Black Science Orchestra remix of Hollie Cook's 'Move My Way' (see review HERE) of very nearly nearly 4 years ago; No?  Where were you?  Perhaps you were digging deep into the Black Science Orchestra's history back to 1992, when they first hit the dancefloors.

'Where Were You?' was their debut single, and it has now been lovingly revisited, drawing inspiration from the energy and arrangements that have evolved through their live performances.

The track is inspired by New York City's legendary 1977 blackout—a night when the lights went out, chaos took over, and looting and vandalism made the headlines. But as history often reminds us, darkness has a funny way of bringing people together. While some helped themselves to televisions, others found rather more... intimate ways to pass the time. As the city lost power, plenty of sparks were still flying.

Out on Black Science Oscillations Bandcamp page - grab your copy now and follow on Bandcamp as there are some amazing tunes in the BSO pipeline.

BUY LINK /PRE-ORDER: Where Were You? Live Version/Opus Rising Mix | Black Science Orchestra

Artist: Black Science Orchestra 
Title: Where Were You? (Rising Opus Live Version 2026)
Release Date : 25th August, 2026
Catalog Number : BSO001
Label : Black Science Oscillations
Format: Digital / Bandcamp

Credits for 'Where Were You?' Live Versions,
Written and produced: Ashley Beedle, Rob Mello & Darren Morris.
Additional keys: Darren Morris & Rob Mello
Mixed: Rob Mello @NoEars
Mastering: Matthew Styles Harris

.

Monday, 24 August 2026

30 years is a long-time and in Freerange Records timezone they're celebrating with 30 tracks from 30 artists on 5 EPs - and VOLUME THREE is now here!


Keeping up with a birthday party at 3 out five as we reach mid-point in this seriers of Freerange's celebration with the artists and musical values that have defined the label's journey. 

To recap, 30 Years Of Freerange brings together 30 exclusive tracks from 30 artists, released across five EPs before culminating in a beautifully curated box set; Vol. 2 HERE and Vol. 1 HERE

Volume 4 balances established label favourites with fresh collaborations and future classics, once again exploring the rich spectrum of house music that has become synonymous with the Freerange sound: timeless grooves, musical depth and soul in abundance.

Kicking off with long-time friend of the label, Atjazz ('Love You Day 1'), Blue Method's 'Agora', ultra busy Megatronic (also see Razor N' Tape - review HERE) with 'Questions' featuring Mona Lee and other 'old' names'  Andre Lodemann ('For Those Who Care' and Manuel Tur ('Key Race Alert') along with our favourite, James Kumo's 'Jazz Dimensions'.

This series has to be the best of the year and in 5 volumes, Freerange has captured not only what is great about Freerange Records but what's good about music! 

BUY LINK / PRE-ORDER: Music | Freerange Records

Artist: Various Artists
Release: Thirty Years Of Freerange Vol.3
Release Date: 24th July, 2026
Label: Freerange Records
Catalog Number: FR318
Format:   Vinyl / Digital / BANDCAMP

Colour & Pitch's new release is No. 99 in their impressive catalogue but for some subversive action, 'Flame Of Mine' is anything but a old flame as the remix action is proper international!



Downtempo gem 'Flame of Mine' by UK artist Subverse gets a synth-packed indie disco makeover from New York dance music mainstays, The Phenomenal Handclap Band; they of 'We Are Worlds Away' (see review HERE), Linda Mirada (see review HERE), Fouk (see review HERE) and many more.

Founded by Al Pascal and Maddy Collins, Subverse is a North London music project built on a love of blending genres. Drawing influences from soul, r&b, pop, house, indie and electronic music, the project takes a song-first approach to bringing different musical styles together.

Now led by musician, producer and educator Al Pascal, co-founder of house music duo The Layabouts, Subverse draws on more than 30 years of Al's experience as a performer, songwriter and producer, bringing together influences from across both song-based and electronic music.

Subverse has always been rooted in themes of self-reflection, growth and navigating life's challenges, and ‘Flame of Mine' emerged as the song that best captured that spirit. Built around the idea of keeping your inner spark alive, the track is about finding the strength to put one foot in front of the other, stay resilient and keep moving forward, even when the path ahead feels uncertain.

Having previously worked together on the promotion of Subverse's ‘Set Free' release, Al spoke with Will Sumsuch at Colour & Pitch about potential remix collaborators. The Phenomenal Handclap Band quickly stood out as the perfect fit. Their organic, analogue-led production style and eclectic musical influences aligned closely with the ethos behind Subverse. Daniel Collás took the track in a new direction, adding his own creative touch while preserving the heart of the song, resulting in a remix that feels both distinctive and true to the original.


/div>

Artist: Subverse
Title: Subverse - Flame of Mine - The Remixes EP
Release date: 28th August, 2026
Label:  Colour and Pitch
Catalog Number: CAP099
Format: Digital / Bandcamp

Friday, 21 August 2026

Posted by Gerry Hectic | File under : , , ,

Stop everything for Fred Everthing & Teutu as they join forces to give us four aspects of 'Arrêt Infini' on the icreasingly essential Winding Road Records.



With Mar De Novo's 'Last Disco On Earth' EP (see review HERE) following Loverbirds' 12" 'They Call Me' (see review HERE), the label's long and winding road have landed at the door of Montreal-based Fred Everything  and Teuteu.

The prolific producer, DJ and label owner with a career spanning over 30 years has released music on labels such as 20/20 Vision, OM, Defected, and his own Lazy Days Recordings; remixed everyone from Jazzanova to Groove Armada and Curtis Mayfield; and played everywhere from Fabric and Smart Bar to Space and Coachella and last seen on YATM on Thirt Years Of Freerange Vol. 2 (see HERE).  He makes records of depth and quality that blend vintage synths with modern production flair, moving dancefloors with musicality and substance which also makes hin a sort after remixer!

Teuteu is a producer, composer, bandleader and DJ whose musical journey began at an early age, teaching himself piano before immersing himself in the world of production. His sound navigates between organic improvisation and electronic textures, creating immersive and forward-thinking productions.

Fred and Teuteu met at an event in Montreal, where Teuteu was layering keyboards over a DJ set. After running into each other at other parties across the city, they linked up in the studio, and the result is ‘Arrêt Infini’, their first release on Winding Road Records. It’s a lush and atmospheric deep house composition, blending dreamy pianos, optimistic strings and bubbling percussion. Classily arranged across four impeccable versions, this is a record that will delight dancers as well as denizens of hazy afterparty hours.

• ‘Arrêt Infini - Part 1’ kicks things off with an oozing bassline pinned down by fresh house beats. Before long, it blends in blissed-out strings and pads which evoke a lush, tropical atmosphere. A seductive vocal intones, “I want you to try me … ‘cause I know we can make it, OK?” The journey then continues into a crescendo of lush harmonies that make everything feel like summer.

• ‘Arrêt Infini - Part 2’ moves things along with a tracky deep house number. Clean beats and repetitive bassline bring the drive, and warm pads float above. An elegant and timeless slice of electronica, made for the dancefloor.

• ‘Arrêt Infini - Reprise’ is a beautifully serene take on the original. Congas and strings create a mellow sonic tapestry which ambles lazily through the rainforest in your mind. The beats are restrained, the Amazonian vibes take over. This is one for those hazy afterhours, enveloping you like a warm hug.

• ‘Arrêt Infini - Rhythm & Bass’ is inspired by late 90s spacey bonus beats, reminiscent of the Idjut Boys and DJ Harvey. This is a percussive workout for the club, bridging the gap between different phases of the night.

BUY LINK / PRE-ORDER: https://bfan.link/arret-infini


Artist: Fred Everything & Teuteu 
Title: Arrêt Infini EP
Release date: 21st August, 2026
Label: Winding Road Records
Catalog Number: ROAD035
Format: Vinyl 12" / Digital / Bandcamp 

Monday, 17 August 2026

Dan The Drum is getting in the habit of teaming up with folks to produce something that excels the parts; in this case it's DJ Chris Bangs and Jasmine Rose that combine to make 'My Tune' hurt so bad as a modern Lovers Rock version of 1978 hit by The Cool Notes!


Regular readers will recall the Dan's collaboration with Carmy Love's version of 'Hurt So Bad' ft. Darren Morris with guests Joseph Nesbitt Larkin and Carl Davies (see review HERE) and the remixes (see review HERE) plus Dan's tribute to UK House with Sutart Patterson, 'UK House Sermon' (see Interview HERE).  So no real surprise when Chris Bangs and Dan the Drum got together after Dan delivered several sophisticated house remixes on Chris x Dave Lyn’s latest track, ‘Children of the Sun’ they'd subsequently that they'd so a 1976 style Carnival track for the heatwave of 2026 - "What about a cover version of the 1978 Lovers Rock hit 'My Tune' by The Cool Notes?" says Chris.  And Dan says, "Yes I" (or even more accurately, "Yes, I & I") - also check out David's album 'The World I Hear' from a cople of years ago (see review HERE).

So a bit of a surprise that when the original came out in a period, Chris was holding down a Saturday night jazz-funk night in Bournemouth at the Exeter Bowl (as per J-Jazz deep digger Mike Peden and confirmed by Chris himself - see review HERE) and before Dan Spalding was dubbing down Manor Park/Romford Road; or would that have been Elton's in Seven Sisters or the Mecca on Tottenham High Road?

But what is clear is that they're inspiration on both of their musical journeys makes this release both a celebration of the original and a heartfelt nod to the sound that embraces roots, romance and culture. 

The duo’s fresh interpretation on the original pays tribute to the timeless sound of Lovers Rock, bringing a contemporary, respectful warmth and depth to the new co-production. This huge summertime anthem encapsulates everything that is fabulous, with Chris and Dan unleashing their prodigious production and arrangement skills on the beautifully ethereal vocals of Jasmine Rose, Joe Nesbitt Larkin’s insanely deft guitar work, Carl Davies’s masterful saxophone playing and Darren Morris’s brilliantly authentic keyboards. 

The enigmatic Dr R.E.Y provides an Augustus Pablo inspired, melodica dub. ‘My Tune’ is a super sweet Lovers Rock outing on Ramrock Records, mixed and mastered by Darren Morris at North Street West studio in Hastings and also saluting CB’s youthful 70s DJ career at his Friday night residency at South Harrow’s legendary ‘Bobby McGee’s’ night club. The original Cool Notes vibe has been brought up to date and has all the hallmarks of a 21st century Lovers Rock classic, introducing it to a new generation of listeners.

It doesn't seem fair that we won't have the chance to dance to this at the much missed Wilkswood Reggae Festival - Peace, Dub & Harmony in the Woods By The Sea (Think Notting-Hill-by-the-Sea - see P.S. below) but any Sound System that does play any of the 3 versions will be getting a load of love this summer.

P.S. Any fans of Dubheart will want to get down to Chaplin's Cellar Bar on Friday 21 August to celebrate ate the life of bongo master Steve Parsons!! RIP




Artist: Dan The Drum x Chris Bangs 
Title:   My Tune EP ft. Jasmine Rose (Original, Dr R.E.Y Meldica Dub, Instrumental 
Mixes)
Release date: 14th September, 2026
Label: Ramrock Records
Cat. No: RR015
Format:  Digital / Bandcamp

Thursday, 13 August 2026

Posted by Gerry Hectic | File under : , , ,

Good Vibrations Music, the House label owned and run by Bristol-based producer Sean McCabe, is ten and what better reason to celebrate 'Decade One' than to have an album compiled by said Mr McCabe!



You'll recall, Sean McCabe was last "seen" on on MDA Grooves' 'Universo Positivo Remixed EP' (see review HERE) along with chorts Kai Alcé, JKriv and Medlar).  But this guy has been hanging out with the people to be seen with for many more years than a single decade but here's 8 tracks with him stepping into numerous roles.

Whilst there is a conherent link of 'Good Vibrations' throughout these tracks, McCabe is not one to be pigeon-holed (like the Latin-jazz track on the previous mentioned MDA remix EP) but whether intentional or otherwise this compilation has no rough edges or dodgy moments; you might think the talking vocals on 'Pause' fear Syl Messi by Harold Matthews Jr. & DJ Fill remixed by Kaidi Tatham might stand-out as angular: but no-way, it's one to the best raps and Tatham (non-Bruk) remix tunes!
-
That track was originally released in 2022, but does McCabe pause? Nah, he looks back into the archives for much loved classics like the openers, McCabe & Mike City with 'I Know Someone' on the UKG/House as remixed by Frankie 'Ricanstruction' Feliciano.

And the party continues, Dawn Williams ('Grow'), Lem Springsteen ('Connection'), Harold Matthews Jr. ('One Body' featuring Symone) get various McCabe remix variations - he's definitely not short of ideas - Patterns Vocal, Hook-up Dub, Classic Vocal etc.

Outside of that he's included a Black Sonix dub of 'Rise' by Matsiko World Orphan Choir' that very percussion focused with big synth weaves (remember this one WOMAD Radio fans - Hectic Mix HERE) and the McCabe link up with Mr. V, 'It Can Be' (West Mix) - an anthem as it points out that House is Worldwide!

I'm tempted to say, track (take your pick) is better that another but you'll soon get the idea that this really is a very 'Best Of' - take 'One Body' if you must.  But even the you'll want to end of a high point?  Even bigger than 'It Can Be', 'Pause', 'One Body' and 'Grow'? Yeah, get 'Lost In The Heat' with Sean's 'Cosmos Vocal Mix' (Hannah Khemoh) which kinda links in with the album artwork.

Expect to hear these tracks all summer long as it's 'the' Limited Edition Double album to vibrate to (in a GOOD way)... and it's FUN!

P.S. There's a digital extended version on the cards as well!



Artist:  Various Artists
Title: Decade One - compiled by Sean McCabe
Release date: 14th August, 2026
Label : Good Vibrations Music
Catalog Number : GVMV008
Format:  2 x LP Vinyl / Digital / Bandcamp