Review: Various Artists - 25 Years Of Aficionado (Re:Warm)

We've had some heavy jazz of the site recently so it seems a good time to celebrate 25 years of the underground Manchester club night 'Aficionado' run by Jason Boardman & Moonboots.

Killer tunes by rock god (well, Focus) guitarist Jan Akkerman with his dreamy Axelrod-esque verson of 'Ode To Billy Joe', top jazz-funk bassist Stanley Clark's 'Desert Song' that's so  cool along with Alain Debray's 'Concierto de Aranjuez' (you'll know the tune if not the name) make you think, what sort of club was this in Madchester!

Well, it seems like a cross of lounge meets Peterson and Trunk expecially with a digital 'exclusive' of 'Cool Bright Northern Morning', 'Mudd's 'Summer In The Wood' and The Superimposers' jangley 'Seeing Is Believing'.

The more you listen to this, you want to get that time machine set to late 90s and do the loungin' house coat vibe before your time (Ed. and open toed sandals?)  You'd definitely want to spend time on the beach with the Lissvik remix of 'Honey Mine' by Korallreven and the exceptional Laetitia Sadier (she of Stereolab fame) on Girogio Tuma's post-Baleraric-dub 'Through Your Hands Love Can Shine'; reggae-synth on the beach you might say.

When you need some high class downtempo, ambient, soul, disco, jazzy, soft-rock reggae Balearic's, you need the affection of '25 Years Of Aficonado' to get together and do it again.

But you said, "Peterson", OK so you've got the jazzy trip hop of Teacher, vibrazone-ish 'Shine' by Kalimba and First Word orginals, The Haggis Horns'. 

Warm have just celebrated their 24th Birthday party themselves (with LTJ Bukem of all people) and have released Paul 'Sun Child' Hillery's 'Folk, Funk & Trippy Troubadours' Vol. 2 and an X-PRESS2 remix set of David Kitt's 'Till The End' (see album review HERE) so it's anybodies guess what'll be coming next?

Aritst: Various Artists

Title: 25 Years Of Aficionado 

Release date: 17th November, 2023

Label: RE:WARM 

Cat. No: RE:WARM 017

Format: 2xLP / CD / Digital

Review: Searchlight ft [ K S R ] & Tolü Makay - Can We Go Back/Breath/We Could Be More Remixes ft. Atjazz / Wipe the Needle / Afroforce (Fallen Tree 1Hundred)

The weekend starts here under the seachlight with a host of dancefloor wizards.

If you're keeping up with Fallen Tree 1Hundred, they really champion post-d'n'b modern soul UKG and Searchlight (aka Zero T and Beta 2) have picked three top producers/remixes to re-work tracks from their debut album.

Must say, the agility of the Atjazz remix on 'Can We Go Back' with nu-jazz bruk shuffle is more than stunning and worthy of any DJ set.

Talking BRUK, Afroforce (aka Mark Force and Orin Afronaut - did you see what they did there), re-live BITA on a deep 'Breath'

The opener 'We Could Be More' featuring [ K S R ] (soul singer from Manchester not a YouTuber) get another BRUK student, Lee Gomez (aka Wipe The Needle) that sounds even more BITA than the Bugz themselves: especially on the instrumental which sounds so good.

This definitely could be more, say if they all team up with label mates Natalie Duncan (see review HERE) or Degrees Of Freedom (see review HERE) for what would be one hell of a Gilles Peterson 'Worldwide' re-union.

Artist: Searchlight ft Tolü Makay

Title:  Can We Go Back/Breath/We Could Be More Remixes ft. Atjazz / Wipe the Needle / Afroforce EP

Release date: 17th November, 2023

Label: Fallen Tree 1 Hundred

Cat. No: FT1H023

Format: Digital / Bandcamp

Review: Twospeak - Fictions (None More Records)

Twospeak's third album, 'Fictions' is getting a wider audience with its release on None More Records this week.

We've been constantly impressed by None More Records, especially Joe Woodham's 'Worldwide Weather' (see review HERE) and the jazz-dub-reggae of Monzanto Sound (see review HERE) but it's clear that they do like a modern prog-jazz-rock as Twospeak have more that a forked tongue going on.

There's a hybrid of Portico Quartet, 70s prog a la Camel/Soft Machine with an added hard edge of, say, We Jazz.  

Twospeak are led by Ronan Perrett (sax) with Mike De Souza (guitar), Joseph Costi (keys, synths) and Ben Brown (drums). who have played in many a jazz group.

All tracks seven tracks are instrumentals (Ed. perhaps they should give Norma Winstone a call, apparently she's popular again) and each is based on artwork, be it painting, sculpture, literature or film.  There does seem to be a 'cinematic' Isotope running through the tracks, especially the opener 'Keep The Aspidistra Flying' and the moody, 'The Tower Of Blue Horses'.

As a band, they seem more than happy to go 'out-there', 'For Henry Moore (Reclining Figure 1984)' being an exceptional update of a Zappa/Henry Cow hybird and then pull back with the dreamy progression of 'An Astrologer's Day' with some echos of 'A Love Supreme'.

Cover artwork to match the Canterbury 'art school' vibe expect to hear on all the trendy jazz shows from Jez to Gilles, Patrick to Colin etc.

Artist: Twospeak

Title: Fictions

Release date: 17th November, 2023

Label: None More Records

Cat. No: -

Format: digital / Bandcamp

Review: Kenneth Jimenez - Sonnet To Silence (We Jazz Records)

We Jazz are expanding!  Not like you and me, but, more accurately, expanding their artist horizons as they release an album by Costa Rican/Brooklyn based Kenneth Jimenez. 

Leader/bassist/composer/photograph joins  Angelica Sanchez (p), Gerald Cleaver (d) and Hery Paz (sax) on 7 tracks that echo some 60s free-jazz roots.

With a Latin influence but not too the obvious extent of a Carlos Garnet / Gato Barbieri / Chick Corea / McCoy Tyner to a more 'Copenhagen 1963' sound a la Cherry, Shepp, Coleman et al - particularly, 'Barrio Sur' and the modal-flutey 'Dia Laboral' that showcases all of the band really well. 

'Sonnet To Silence' is a curious title (Ed. no doubt why they wanted it?) for a jazz album that's got some ambient moments (like  'El Pato') but is more of an intriguing combination - if you like, We Jazz in New York; as for the very lucky 'Ojo de Buey' and the very busy ' 'Mr Shipping' I'd say it's, "taking The Comet Is Coming to John Coltrane's back yard".

I'm sure that one day We Jazz will take over Village Vanguard for a festival season and when they do, the Kenneth Jimenez Quartet should top the bill.

Artist: Kenneth Jimenez

Title: Sonnet To Silence

Release date: 17th November, 2023

Label : We Jazz Records

Catalog Number : WJLP51

Format: LP / CD / Digital / Bandcamp 

Review: A08 - Waiting For Zion (Compost Records)

We've already had a taste of the 'new' A08 (formerly known as AFRICAINE 808) with the single 'Life' and 'Sunset' on Compost Records, but wait 'til you here the rest of the album!

As mentioned previously, (see review HERE) that since they were releasing albums/12" on the seminal New York label Golf Channel there been a sideways step more to a Afro-tech-Carrib-dancehall-dub as the two Berliners,  Dirk Leyers and DJ Nomad bring us twelve tracks on the album called 'Waiting For Zion'.

Whilst the title sounds like it it should be all roots-reggae-dub, the album that features artists from Colombia, Ghana, Kenya, Trinidad as well as Germany, is electronic,jazzy and world: just chcek out the title track to get you hooked.

'Yamahaica' and 'Sunset' are more reggae dub and at the other extreme, 'Kisumu Bound Bus (Nyatiti Mix) and  'Water' twist into electronic West African Hi-Life a little lik the Afro-percussive 'Life'.  

You get this idea that there's no over-ridding genre to put this album in.   At times it reminds me of version of David Walters' 'Soul Tropical' (see review HERE) crossed with the Best Seven Records (the old Berlin-based sub-label of Sonar Kollektiv run by DJ Daniel W. Best), and others, something I could DJ, put in mixtapes, dance to or just listen at home with. 

Another two tracks that also stand out, dancehall-esque, 'I Want More' and 'Big City Blues' that's one's big band funky Afro-rock-rap more than blues. Jazzdance you say? I say too, along with some Italo/Jap house with the incredible, 'Pomolemouse' (just when i was thinking, "how can you pick a favourite track!") along with a 808 style Miami Vice style dub with 'Nineoneone'.

It's stunning stuff and definitely the best double album of the year and just to repeat, A08 perform live either as a Soundsystem as Dirk Leyers and DJ Nomad or as a live act with live percussion: I'd book 'em now as they are going to be very busy.

Artist: A08

Title: Waiting For Zion

Release date: 17th November, 2023

Label : Compost Records

Catalog Number :  CPT 620 LP / CD / Digital / Bandcamp   . 

Review: Sababa 5 - Aspan (Batov Records)

Apparently, mod-culture is back, but how mod are you without Sababa 5's new album 'Aspan', out on Batov Records?

Filled with 60s inspired instrumental psychedelic funk rock and Middle Eastern grooves, this is another winner you can't do without.

Opening up with 'Wembley' (no hint of a football chant but 1966 and all that; RIP Sir Bobby Charlton) and the 'Tri Li Li' isn't nursery rhyme influenced like the title hints at but comes with some dub vibes!

The cover looks like something from a Joe 90 annual but as a follow-up to last years' self-titled debut album, (see review HERE) I think they've gone deeper and more mainstream all at the same time.

The single, 'Fa Sol La' is the high speed version of the Med coastline Joe Meek (very popular this one) that's matched by the equally fast title track.

If there's more dreamy beach scenes with 'Carmel', 'Aeolus' and the closing track, 'Indra'.  And in constrast, 'Barabara' does her thing; possibly on a TV theme/opening credits with some proggy organ at the end and then, going off script, 'Alpis' is like an instrumental version by The Stranglers/Brian Auger.

With such well crafted tracks, it's hard to believe that the band consist of Ilan Smilan (guitar), Amir Sadot (bass), Raz Man (Drums) and Eitan Drabkin (keys/synths).

Trendies like BBC 6 Music's Cerys Matthews, Deb Grant/Tom Ravenscroft, Gilles Peterson are big fans and yes Abigail, "I'm a mod" and so are Sababa 5; middle eastern jazz-mods but definitely now!

Artist: Sababa 5 

Title: Aspan

Release date: 17th Novmember, 2023

Label: Batov Records 

Cat. No: BTR086

Format: Vinyl / Digital / Bandcamp

 

Review: BCUC - Thonga Lami (Gaudi Remix) (On The Corner Records)

I don't think anyone will be surprised that Gaudi is a fan of BCUC, but they'd be really excited to hear that One The Corner have got the two together to remix a track called, 'Thonga Lami'!

As many of us are still trying to come to terms with the magnificent album from last year, 'Millions Of Us' (see review HERE), On The Corner Records share Gaudi’s remix of BCUC’s ‘Thonga Lami’ - it’s the first track from the Pete OtC’s ‘Door to the Cosmos’ compilation series 

Gaudi is one of the most prolific producers on the electronica, reggae, world and dub scene for many a year now, he's credited with over 20 albums and countless remixes.  So, if you're after some South African Township space dub punk funk Pig Bag to Sigue Sigue Sputnik this is the single of the year for you.

Shame it's just missed Halloween as the Zombies will Batt Danse (these guys - see review HERE) to both original and radio versions but if you're anything like me, you'd want to play 'em back to back for the the full eight minutes.

What an excelled release to celebrate the 10th anniversary of the label's first white label release (Pete, where's the Emanative remix?) and if you're lucky enough to be in the US anywhere near a BCUC Novermber tour date, you must go and see them.

Artist: BCUC

Title: Thonga Lami (Gaudi Remix)

Release Date : 15th November, 2023

Catalog Number : OtCRDIGI2023

Label : On The Corner Records

Format: Digital / Bandcamp

EU / US Autumn/Fall Tour 2023 Dates

Oct. 26 - Le Rockstore, Montpellier, France

Oct. 29 - Womex, A Coruña, Spain

Nov. 4 - Holyoke, US @ Race Street Live

Nov. 5 - Somerville, US @ Crystal Ballroom

Nov. 9 - Chicago, US @ Logan Center For The Arts at Uchicago

Nov. 14 - San Diego, US @ Artpower! At UC San Diego

Nov. 15 - Albuquerque, US @ The Dirty Bourbon

Nov. 17 - Santa FE, US @ Tumbleroot Brewery & Distillery

Nov. 18 - Taos, US @ Daleee at The Solar Center

 

Review: Natasha Watts - Music Is My Life (NWM)

Feel the soul energy of Natasha Watts' 'Music Is My Life' as she re-affirms that she is she and more!

First things first; we know that you can't judge a book by its cover and this is NOT the music to either a perfume advert or some Balearic wild swimming so with that out of the way.

Natasha Watt music have been living 'Music Is My Life' as she's been getting praise for over 10 years for her previous 3 albums but this has to be the pinnacle to date.

Eleven tracks that groove like a Reel People release will be the tops for fans of full on soul/R&B/jazz-funk like BBC 6 Music, Mi Soul,Solar FM, 1BTN; Jazz FM and the rest.

The 'middle' part of the album really warms up like 'I Do, I Did, I'm Done', 'Heaven Sent' and 'Part Of My Life' and the post-80s boogie 'Right The Wrong'.

Did someone say, "Reel People?" We'll you won't be surprised to hear that tracks were produced by  Toni Economides, Mike Patto (see their last album, 'Love 2' - see review HERE),  Ziggy Funk and Dave Doyle.

'Brighter Days' was a single earlier this year (pop/funky 70s Stevie/Shalamar) which was followed by 'I Am Me' that Tony Blackburn played on his BBC Radio 2 show' great to know that a young Tony got a sports scollarship to Milfield School from Poole (he's got a new book out you know and that was his 'shoe-in' to an interview on TalkSport last week); his 'soul' days on BBC Radio London would have been more interesting me thinks.

The album also finishes on a high with another three great tracks, 'R U Ready' (a little more gospel this one with some very pertinent lyrics for these troubled times), 'Feels Like Sunshine' (even more funky 70s Stevie than 'Brighter Days' with a touch of go-go/Canned Heat) and then inevitable ballad, 'Say Goodbye' that'll make you reach for the tissues (in a good way).

With such album, you can bet all the usual suspects will be queing up for the remix action that's bound to follow on from what is a real grower - her life in this music will make you feel like sunshine; burnin' hot!  You'll want to take a dip in that sea after all.

Artist: Natasha Watts

Title: Music Is My Life 

Release date: 17th November, 2023

Label : Natasha Watts Music

Catalog Number : LS001ADG, Digital / Bandcamp 

 

Review: Finest Wear - The Obsidian EP (Closer To Truth)

Here's something that's going to be on the Colour & Pitch Sessions for the rest of the year, the brilliant Finest Wear in all his musical finery.

So we know Finest Wear from a series of great deep house tracks, including 'The Night Tales EP (see review HERE) and 'Distant Memories EP (see review HERE) and his remixes but this new EP is out on the equally classy Closer To Truth label, but, truth, I had to search for what 'Obisdian' is: a hard, dark, glasslike volcanic rock formed by the rapid solidification of lava without crystallization!

Why the London based Italian Cenzo Scoglio would call the lead track, 'Black Obsidian' is hard to gather as it's only hard in its club bangin' tempo topped with some smooth synths with a Detroit alarm going on; "Hhurrra, Hhurra ... give it to me baby" you might say.

'Lost In Paradise' is a like an urgent dreamy version with a manic church organ and which is followed, by coincidence, by 'Talk To My Lord' (well, the festive season is nearly upon us) and the softer 'Ocean Sounds'; has he been hanging out at Sea Road in Boscombe by any chance?

For those that don't really get Pre-Orders, The Obsidian EP is out now and I also love the look of the labels on all Closer To Truth releases (it's a bit like a worn 'Nervous Records' without the cartoon) and if you're new to the label, I'd also recommend recent releases by Sven Wegner, Tiptoes and Nic Soule to keep you Closer To Truth.

FinestWear · Finest Wear - 'The Obsidian Ep' ***Snippets***

Artist: Finest Wear 

Title: The Obsidian EP

Release date: 10th November, 2022

Label : Closer To Truth

Catalog Number : CTT114

Format: Download / Beatport / My Obsidian Chart - Top 10 Chart Traxscource

Review: A.K. Yeboah - Nde Yen Da (Asona / BBE Music)

Don't be put off by the artwork which looks like some African version of a 80s New Forest National Park callender [Ed. that's mean].

Antony ‘King’ Yeboah started out in the 1950s playing Highlife.  By the time of the 80s and the ever present upheaval in the area and the introduction of the nu-Burger digital sounds, how can you stand out from the crowd?

What about writing songs in Pidgin to attract a much wider listenership?  Good idea as this would then cross from Ghana into Nigeria and other parts of West Africa.  A few decades on, pretty meaningless over here but what you can hear is Yeboah's pan-African guitar style (twangy to you and me) that could equally have been on Malcolm McLaren's South African "disovery".

Like that 'township' sound, it's fast, energenic and sing-a-long, 'Nde Yen Da', 'Moma Yen Hwe Yie' and 'People Talk Of You' all gets you going. 

Meanwhile, back in the synth shot disco, 'Make Me Know My Position' would make Anita Ward ring her bell - big summer hit takes been released in November!  No problem as this is the fun track of the year; ha! har! as the King would say. 

A mere four tracks but the legacy is clear as to why "King" is still an inspiration to this date in the area.

Artist: A.K Yeboah

Title:  Nde Yen Da

Release date: 10th November, 2023

Label : BBE Music

Catalog Number : Digital / Bandcamp