Richard E has travelled about a bit but this time he's taking us to the moon with the new single, 'To The Moon'!
Long time followers of Further Out Recordings will know that the origins were inspired by Sun Ra via Solar Apple Quarktette and Neptune Alpha Base Massive; any wonder then that this track is called 'To The Moon'?
Well it was inspired by the cyprto boom and equally seems relevant now with the mini-space race in times of a mini-planet crisis - sounds a bit 70s? And so does 'To The Moon' with the ex-London based Yorkshireman now US citizen, LA resident with wife Annabel (lee) (when she's not engrossed with Edgar Allan Poe, there's'Live Covers' also on Further Out Recordings (see review HERE).
This is almost 100% on vocals and instruments and feels nicely West Coast Baleraic Bowie that'd fit in a Paul Hillery 'We Are The Children Of The Sun (see review HERE) or his equally compelling compilaton series, ' Folk Funk & Trippy Troubadours' (Vol. 2 came out earlier this month on RE:WARM).
The dreamy vocals, flute and guitars take a back seat on the Robert Burbidge remix but there's instrument and accapella versions too to make this the full package.
A new album, 'Opening Scene', is promised for release early next year so in the meantime, let's take it 'To The Moon' and back.
Annabel (lee) are husband and wife duo Sheila and Richard Ellis and thier lastest release is an 4 track EP of live covers called 'Live Covers' which was recorded 'live' in LA.
The four tracks are well known being 'Blackstar', one of Bowie's most atmospheric and haunting of tracks, 'River Man' (Nick Drake's classic that's equally atmospheric and haunting), 'Windmills' (Michel Legrand's big pop his and the recent passed Wayne Shorter (RIP) most popular, 'Footprints' (with new original lyrics by Sheila).
As any undercover agent will tell you, it's all about the added value and this large band with harp, flute and cello certain add a large amount to this project along with Sheila's words/vocals (she trained in New York with Andy Bey!)
We've recently seen that the electric guitar is much under-used in jazz (see Enrico Le Noci's 'Electric Nuts', review HERE with covers of 'Voodoo Chile' and 'Maiden Voyage') and Eric Klerks rocks out on 'Footprints' with Sheila doing her best ship wrecked ghost siren with the violin in 1930 swing with that harp; what was I saying about "atmospheric and haunting"?
If you haven't heard Annabel (lee) before, there's 'By The Sea... And Other Solitary Places' which came out on Ninja Tune/If..Music. and at the time, I'm not sure that they knew what to do with "abstract classical jazz on the leftfield" which, of course, they are far more familiar with now - check out what Coldcut are upto these days - see review HERE).
Sheila and Richard are clearly guys are still 'out there' [in LA] or should I say Further Out [Recordings] there (their current label); These four tracks are like windmills in my mind like a 'live' version of the Cinematic vs Mahavishnu Orchestras doing cover versions - bring on the album.
Sheila Ellis - Vocals, Richard E - Acoustic Guitar, Aniela Perry - Cello, Eric Klerks - Electric Guitar, Sonjia Hubert Harper - Flute & Backing Vocals, Jillian Lopez - Harp Anthony Lopez - Keyboards, Mark Gutierrez - Bass, Chris Parise - Drums